Working with illustrative material as the basis for designing jewelry in the process of professional training for an artist-jeweler. Successful graduates. Assistance in the preparation of graduation projects for
In this section, you can place an order for the execution of a diploma in the discipline of jewelry ("Artistic design jewelry", CODE OKXO 71504), order the development of a product drawing, the execution of an artistic sketch, as well as the design of 2D and 3D models in a specialized computer program. Examples are available that can be downloaded free of charge and used as a sample for self-writing thesis.
Among the completed graduation projects in this discipline, mainly the development technological process making jewelry - rings, earrings, necklaces, chains, lead, necklaces, bracelets, rings, hairpins or brooches. The metals used in the projects are gold, silver, platinum, as well as a wide variety of gemstone inserts.
Approximate design of jewelry can be downloaded free of charge at the end of the text. It includes about 8 points, each of which should reflect one of the aspects of product development. Among the main chapters are:
- The history of jewelry (art history section)
- Artistic section
- Selecting materials and inserts for the project
- Manufacturing technology (production of a single copy)
- Design developments (analysis of analogs and prototypes)
- Computer section (drawing, sketch, 2D or 3D model)
- Life safety (BZhD)
- Calculation of economic efficiency
- Applications (graphic material)
You can order jewelry design work in full, or any of the described sections (for example, the economic part). Below are the prices for complete list services:
Design of drawing, sketch, 3D model
In the work of a graduate jeweler, these stages are considered the main ones and they will be the main focus when presenting the project to the commission.
Drawing elements in sketch view is the initial stage the embodiment of the idea of a designer-jeweler. Usually a sketch is done in pencil on an A4 sheet of paper, the main elements and ideas of the jewelry are sketched. It does not require a clear drawing of each of the details, but the author's intention and the further direction of the design should be clear.
An approximate drawing sketch might look like this:
A drawing or technical drawing of a jewelry item is made using specialized computer programs. The most famous are AutoCAD (autocad), KOMPAS-3D, TurboCAD (turbocad), among the unpopular ones are DraftSman, NanoCAD (nanocad), SweetHome 3D. The drawing should include model dimensions, hole radii, insert parameters. It is especially important to draw up the drawing correctly, otherwise it will simply not be accepted. Among the basic requirements are the frame, font, designations.
Examples of design according to GOST jewelry drawings:
3D jewelry design involves drawing volumetric model in one of the special computer programs to choose from: Rhinoceros, Grasshopper, Flamingo, Rhino, Matrix, T-Splines, Solid works, Blender, 3dstudio max, CAD / CAM. Each of these computer modules differ in their own capabilities. Examples of 3D models:
The volumetric model of the designed jewelry can be obtained using rendering or visualization. These processes are also often used in the design of bespoke jewelry. You can download free examples of jewelry drawings, a sample sketch and see how the 3D model should look like on our website. All download links are located at the end of the text information.
Additional Information for Jewelry Students
The specialty art design of jewelry can be obtained in a number of universities:
- KSTU in Kostroma (technological)
- USMU in Yekaterinburg (mountain)
- BIPK in Belgorod (entrepreneurship and culture)
- MSTU in Moscow (textile)
- OSU in Oryol
- RGAI in Rostov-on-Don (architecture and art)
- STIS in Stavropol
Publications of our authors in specialized journals and publications
The art of jewelry design is inspired by many emotions: the pursuit of beauty, the need for recognition, the desire to impress or demonstrate commitment. Jewelry creators have dreamed of the need to express respect, loyalty or memory for a long time.
Artisan jewelers created spiritual and religious symbols to represent the faith. They designed jewelry as symbols of marriage and fidelity for life, as well as symbolic jewelry representing loyalty to a family or organization. created in order to perpetuate the memory of the loss of loved ones and, of course, as a symbol of the pure beauty of the jewelry.
Therefore, it is reasonable to assume that any discussion about jewelry design should start with sources of inspiration. There are several motives that can inspire a creator. jewelry... Primary incentives for him include focusing on the wants and needs of the intended users. Then they proceed from market and fashion trends, taking into account modern popular topics. And also - a free burst of inspiration, the jeweler's own dreams, the possibilities of material and precious stones that dictate the direction of the design.
In short, a jeweler either has to think about the person who will enjoy the piece of jewelry, his lifestyle and needs, or proceed from the characteristics of the available gemstone or material, from the possibilities to maximize their beauty. After all, we either design jewelry for specific segments of the population with a particular sense of style, or we design jewelry to highlight the characteristics of specific materials.
Jewelry design
From a purist point of view, it would be great in jewelry design if you could concentrate your imagination in whatever direction you want, and seamlessly embody whatever comes your way.
In reality, precious stones and metals require a little more. When designing jewelry, it is necessary to fulfill the wishes of the customer. A wide range of aspects must be considered, ranging from color and style to material costs. It is the jeweler who knows the limitations of jewelry production, the possibilities of those who are involved in it.
Once the theme, value and target user have been identified, the artist can work within reasonable boundaries and unleash the talent and feelings they possess. At a given topic and rational parameters of materials, you can confidently design a piece of jewelry and reflect a specific mood or emotion.
Some designers do this with detailed color work, while others create a simplified, primary sketch for demonstration to the client. Many modern jewelers perform full computer rendering using automated jewelry design, and some simply work with the visual image in mind. Regardless of the method, the primary image is continuously evolving throughout the entire process of creating a product. It seems that subtle nuances are inevitable as soon as jewelry making begins. It seems almost impossible for jewelers to take into account all the technical issues that may arise when making a jewelry and setting a gemstone when creating a piece of jewelry. Depending on the expediency or aesthetic needs, changes continue throughout the entire process of creating a masterpiece by the master.
Working with jewelry stones
When creating jewelry with gemstones, the stone itself is decisive. In most cases, the process concentrates around a gemstone due to its exceptional rarity, unique character or non-standard shapes either size.
In the case of rare gemstones, jewelers focus on the characteristics of the stone. Usually the goal is simplicity in order to draw attention to the stone itself. It is possible to use elements of style and symmetrical solutions, but the main thing is that a rare gem is the most important element of the product.
When are used unusual stones or asymmetric shape, the design process becomes somewhat less constrained. The free, living form of the stone often dictates the style. Often the shape or size of a stone will determine whether it will be worn in a ring, around the neck, on the wrist, or as a brooch. Most jewelers believe that freeform gemstones dictate the shape of the jewelry, and the artist sets the mood for it. In you can bring to life any piece of jewelry.
CHAPTER I. STUDY OF HISTORICAL
BACKGROUND OF INTRODUCTION OF BIONICS IN THE PROCESS OF DESIGNING JEWELRY
1.1. Analysis of the current level of the process artistic design jewelry.
1.2 Analysis of the development of technology for creating jewelry
1.3. Formation of bionics as an interdisciplinary field of scientific knowledge.
1.4. The use of bionics in the design of a suit, architecture, technology.
CHAPTER CONCLUSIONS.
CHAPTER II. RESEARCH OF BIONIC PRINCIPLES OF FORMATION OF JEWELRY.
2.1. Selection and justification of research methods.
2.2. Determination of bionic principles of jewelry shaping of the XX century.
2.2.1. ArtNouveau style (1880-1915).
2.2.2. Art Deco style (1915-1940).
2.2.3. Style directions of the period from 1940 to 1960
2.2.4. Style directions of the period from 1960 to 1980
2.2.5. Style directions of the period from 1980 to 2001
CHAPTER CONCLUSIONS.
CHAPTER A1. DEVELOPMENT OF THEORETICAL BASIS
BIONIC FORMATION OF JEWELRY.
3.1. Building the structure of bionic research.
3.2. Determination of the structure of bionic jewelry modeling.
3.3. Determination of functional parameters of jewelry as the basis for a request to the bionic system.
3.4. Determination of the ergonomic and technological parameters of jewelry.
3.4.1. Determination of the ergonomic and technological parameters of the ring shape.
3.4.2. Determination of ergonomic and technological parameters of the shape of the pendant.
3.4.3. Determination of the ergonomic and technological parameters of the earring shape.
3.5. The use of computer technology in the design and manufacture of jewelry.
3.5.1. Raster graphics.
3.5.2. Vector graphics.
3.5.3. Fractal graphics.
3.5.4. 3D graphics.
CHAPTER CONCLUSIONS.
CHAPTER IV. APPROBATION OF THE DESIGN METHOD
OF JEWELRY BASED ON BIONIC FORMATION LAWS IN INDUSTRIAL CONDITIONS
PRODUCTION.
4.1. Definition of conceptual directions for experimental collections and individual pieces of jewelry.
4.2. Design of the Lanata jewelry collection.
4.3. Designing the Basic0405 Hans Jensen Jewelry Collection.
4.4. Design of the Trilliant jewelry collection.
4.3. Designing individual jewelry projects.
CHAPTER CONCLUSIONS.
Dissertation introduction (part of the abstract) on the topic "Designing jewelry based on the laws of bionic shaping"
Currently in Russia in the field of jewelry production (JI) there is a tendency towards a decrease in their artistic level. This is due to a complex of reasons, such as: lack of domestic and translated foreign literature for the design of legal institutes; underdevelopment of scientific concepts and modern methods of design of legal entities; lack of practical experience in the use of modern highly efficient computer technologies. One cannot fail to note the rather late (late 90s, 20th century) organization of universities that train specialists in the field of jewelry design. As a result, domestic YI, manufactured in the period from 1980 to 2000, are inferior to world standards, primarily in terms of design and new constructive solutions.
Scientific research and practice of industrial activities in the country and abroad have proved the expediency of using the basic provisions of the science of bionics for the design of objects in mechanical engineering, architecture, costume and other fields.
Modern industry. fashion requires constant updating of the assortment and the creation of competitive products based on the use of new design and technological concepts. The application of the laws of bionics to create LI models and their design processes opens up the possibility of creating fundamentally new product designs. Besides, active introduction in the production of JI modern computer technology allows to significantly speed up the process of development and implementation of new models.
End-to-end computer-aided design of jewelry (SAP YI) involves the use of computer graphics technologies in the design process of jewelry from the concept and sketches of a future product to the manufacture of a model and the product itself on specialized equipment for three-dimensional prototyping. The use of rapid prototyping technologies guarantees the automated construction of the YI model, which is rather difficult or impossible to make by hand, allows you to reduce the cost of manufacturing a product, and increase the rate of updating the assortment of jewelry.
Thus, the lack of objective scientific data on the possibility of using the SAP JI method based on the laws of bionic shaping determined the relevance and choice of the topic of this dissertation research.
Relevance of the topic.
Existing works on the creation of jewelry (E. Brepol, V.I. Marchenkov) mainly describe the technology of manufacturing known structural elements, without providing an algorithm for their development and creation of new developments of technological units.
Another group of works (M.M. Postnikova-Losev, P.A. Vanyushova, E. Ananyeva, P. Birbaum) is of a research, encyclopedic nature, demonstrates jewelry items and tells about the history of the development of style trends.
Thus, it was revealed that the works aimed at complex solution there are no design tasks for jewelry design.
As a result of the literary and historical analysis, we have established that the creation of jewelry design is primarily based on analogies with images and constructions of living and inanimate bionic matter. This contributes to the solution of problems of figurative and ideological content and options for technical solutions for the form of jewelry. Intelligently or intuitively, the jeweler-artist applied, both in the past and in the present, bionic analogies of shaping.
The formation of the first theory of systematic design of jewelry should proceed along the path of an interdisciplinary synthesis of scientific disciplines, such as: the theory of artistic design, the theory of bionic modeling of design and architecture objects, the theory of computer 3D and 2D graphics and technologies of rapid three-dimensional prototyping.
Purpose of the study
The aim of the work is to develop a method of end-to-end computer-aided design of jewelry based on the laws of bionic shaping, with the use of computer graphics and hardware for rapid prototyping technologies, to create and introduce new forms of jewelry into production, reduce the implementation time and reduce the cost of production.
In accordance with the purpose of the study, the following tasks have been identified:
Study of the principles and methods of bionic shaping of JI in the XX century and the compilation of a classification of bionic prototypes of natural motives used in the design of JI;
Building a classification of jewelry of the XX century according to the main assortment groups;
Study of the laws of bionic morphogenesis of natural systems, ways of morphological growth and development of bionic forms;
Determination of the functional characteristics of the jewelry (stylistic, ergonomic and technological parameters);
Adaptation of the method of differentiation of natural structures existing in bionics for the formation of a request for the search for a bionic analogy of the form, structure and design of JI;
Analysis functionality modern technologies of computer graphics in the design process of legal institutes;
Determination of the structure of the JI bionic modeling process based on the principle of the relationship between function and form and the development of an algorithm for the JI SAP process;
Approbation of the results obtained using examples of the design and production of various types of jewelry;
The object of the research is the process of shaping in the jewelry art of the XX century.
The subject of research is: bionic shaping of jewelry items of the XX century.
The methodological basis of the research was formed by the provisions of the theory of bionic research and modeling of objects of architecture and design. To solve the set tasks, the methods of empirical and theoretical knowledge were also used. The following methods were used as a tool in the dissertation work: structural-graphic, methods of mathematical statistics, computer modeling.
The theoretical basis of the research is the works of Leonardo da Vinci, I.F. Goethe, G. Semper, as the founders of the bionic approach in art, reflected in the desire to study nature and comprehend divine beauty - perfection, the creations of nature for solving applied problems of decorative applied arts and architecture.
The formation of the dissertation ideas was influenced by the work of I.I. and Sergeeva H.A. devoted to the organization and conduct of bionic research, S.P. Kapitsa, a scientist who promotes the development of interdisciplinary ties in science; I.Sh. Shevelev, who studied the laws of the formation of natural objects from the standpoint of mathematics, Yu.S. Lebedev - the founder of the development of architectural bionics in our country, V. N. Kozlova and T.V. Kozlova, whose works had a great influence on the formation of design theory and the formation of artistic design as a field of scientific knowledge. E. Bripol - a major specialist in the technology of making jewelry, M.M. Postnikova-Loseva is an art historian who studies the history of the development of jewelry art in Russia. M. Marov is a specialist in the field of engineering and computer graphics, the author of works devoted to three-dimensional modeling of all kinds of objects in our world.
The following are submitted for defense:
Block diagram of the bionic jewelry design process.
Method for determining the ergonomic and technological parameters of jewelry.
Scientific novelty:
An algorithm has been developed for determining the functional criteria of a piece of jewelry, which consists in the analysis of stylistic, ergonomic and technological aspects of shaping;
The structure of bionic research and modeling of natural forms has been determined;
The structure of application of computer graphics technologies and three-dimensional rapid prototyping for jewelry design has been developed.
Practical significance:
The scientific and practical significance of the work lies in the creation of the first method for designing jewelry, developing an information base for bionic research and modeling of jewelry, as well as a method for using computer graphics technologies in the process of creating jewelry.
The developed design method can be used in the production of jewelry at enterprises, as well as used in the training of jewelry designers in higher educational institutions.
Approbation of work:
Based on the method of end-to-end computer-aided design of jewelry developed in the thesis based on bionic shaping using computer graphics technologies, the following was carried out:
1. Design and industrial launch of the BASIC 0405 jewelry collection for the Hans Jensen jewelry house.
2. Design and commercial launch of Trilliant jewelry collection for E. Zachs. Artists-jewelers ".
3. Design of Lanata jewelry collection for Lanata design studio.
4. Design and commercial start-up of 50 customized individual products for Hans Jensen.
5. Some provisions of the method were used in the process of teaching students at the Faculty of Applied Arts (jewelry design department) at the Moscow State Technical University named after A.N. Kosygin from 2001 to 2004, vols.
The main provisions and results of the dissertation research are reflected in the following publications:
1. Korytov A.B. Designing jewelry based on the laws of bionic shaping. // Sat. abstracts of the All-Russian Scientific and Technical Conference " Modern technologies and equipment for the textile industry "/ (TEXTSH1B-2003) // ML: MSTU im. A.N. Kosygina, 2003.S. 334.
2. Korytov A.B., Kozlova T.V. The concept of development and improvement of jewelry design technologies. Information and methodical journal for professionals "FASION, MARKETING, DESIGN", No. 5 - 6, M., 2003. P. 72 - 75.
3. Korytov A.B. Diamonds: Fashion and Eternity. Journal of the Russian elite "BOURGEOISIA", No. 2, M., 2003. P.114 - 115.
4. Korytov A.B. A timeless piece of art. BOSS. Business: organization, strategy, systems ", No. 5, M., 2003. P.68 - 69.
5. Korytov A.B., Kuzin A.A., Rudyts A. Great hopes are pinned on small ateliers. The magazine for fashion professionals "Modny magazin". No. 9, M., 2003. S. 40.
6. Korytov A.V., Shatalova I., Kuzin A.A. Jewelry styles. Publication of sketches of accessories and jewelry developed on the topic of dissertation research. M., 2004.S. 164.
The volume of the thesis is 250 pages. The dissertation work contains 117 figures, 4 tables and 6 appendices. The bibliography contains 139 titles.
Work structure
The volume of the thesis is: introduction, 4 chapters, conclusion, terminological dictionary, applications.
The introduction substantiates the choice of the topic of the dissertation work, defines the framework of the research, formulates the goal and objectives, describes the scientific novelty and practical significance of the work, and the implementation of the research results.
Chapter I analyzes the level and components of the process of artistic design of jewelry in Russia during the XX century. The prerequisites for the use of bionics in the process of designing jewelry are investigated.
The second chapter contains a historical analysis of the bionic principles of jewelry shaping by the world's leading manufacturers of the 20th century.
Chapter 3 developed theoretical foundations on the use of the laws of bionic shaping in jewelry. It also provides an analysis of existing computer graphics technologies and determines the possibilities of their application in the design of jewelry.
Conclusion of the thesis on the topic "Technical aesthetics and design", Korytov, Alexander Vladimirovich
Chapter Conclusions
1. A theoretical model of the bionic jewelry design method based on three-level matrices has been developed.
2. Algorithms of computer modeling and processing of design information using 2D and 3D graphics programs have been experimentally tested.
3. The expediency of using the method of bionic design with the use of computer technologies was confirmed on the example of designing three collections of jewelry and 50 individual jewelry on the basis of jewelry enterprises “E. Zachs. Artists-Jewelers "and Hans Jensen.
4. The expediency of using three-dimensional modeling of jewelry designs and subsequent three-dimensional prototyping to create wax models has been established.
CONCLUSION
In the work "Designing jewelry based on the laws of bionic shaping", a method of end-to-end computer-aided design of jewelry was developed, based on bionic modeling of architecture and design objects using the method of three-dimensional modeling of product structures to create sketches, material models, technical and presentation documentation.
The main goal of the work was to build an algorithm for designing jewelry using the patterns of shaping of natural forms, aimed at creating fundamentally new shapes and designs.
Based on the research carried out, it was established:
1. The shapes of jewelry created in the 20th century are directly related to the shapes of natural objects - inspirational bionic prototypes. This fact confirmed the legitimacy of the application of bionic research and modeling methods in the process of creating jewelry.
2. The developed design method is automated, which implies the use of a computer from the stage of sketching to the manufacture of a product in material.
3. A method of end-to-end automated bionic design of individual jewelry and collections has been developed using a three-dimensional computer editor 3D Max 5 and a two-dimensional graphic editor Adobe photoshop 7, as well as technologies for rapid prototyping by 3D Systems and Solidscape, using stereolithography and point-and-drop equipment.
4. For the first time, a classification of the types of bionic prototypes used in the development of forms and designs of jewelry of the XX century was formed. The classification makes it possible to identify natural, constructive analogs of jewelry in the design process.
5. Work has been carried out to draw up an assortment map of all types of jewelry existing at the end of the 20th century, on the basis of which it became possible to create an assortment series of designed collections.
6. A methodology has been developed for determining the functional criteria of jewelry: stylistic, ergonomic and technological. Stylistic aspects describe the interaction of jewelry design with other fields of art and human activities. Ergonomic aspects indicate the parameters for creating a wearable jewelry design. Technological aspects constitute a description of jewelry design elements that have a direct functional load - setting decorative elements, fixation of the product on the body, kinetic units of structures.
7. Compiled a classification of natural structures for the effective identification of bionic prototypes of designed jewelry.
8. The existing patterns of the formation of bionic forms have been established, which is necessary for the artist-jeweler to understand the laws of the development of natural forms.
9. A method has been developed for applying the technologies of 3D and Yu computer graphics in the process of designing jewelry, based on the construction of a three-dimensional model of the product, creating sketches, technical documentation and presentation materials - electronic and printing.
10. A mechanism has been established for creating a three-dimensional prototype of a jewelry item, based on technologies of rapid three-dimensional prototyping in order to obtain a wax model of the developed product on prototyping machines.
11. The effectiveness of the developed method of designing jewelry has been practically confirmed by the example of designing and manufacturing three collections of jewelry (one exclusive and two industrial) and 100 individual jewelry according to customer requirements.
Terminological dictionary
Bionics (from the Greek bion - an element of life, literally - living), one of the areas of biology and cybernetics, which studies the features of the structure and vital activity of organisms in order to create more perfect technical systems or devices. Formed in the 2nd floor. XX century. To solve problems of bionics, for example, methods of processing information into nervous system, features of the structure and functioning of the sense organs, the principles of navigation, orientation and locations used by animals, bioenergetic processes with a high efficiency, efficiency, etc. are investigated.
Vector graphics are a way of representing graphical information using a set of curves described by mathematical formulas.
Rendering (rendering) - the process of obtaining a raster image from a three-dimensional scene. Rendering of static scenes can be performed to obtain single images and scenes with animation, to obtain frames of the animation sequence.
Two-dimensional graphics (2D) is a way of presenting graphical information, where the position of any point in the image is described by two coordinates.
Interface - a way of organizing, structure of controls and presentation of a document in the program window, providing the means necessary to work with it.
Cast is the setting of the stone, a common detail of all jewelry. There are two types:
Deaf - stones are held by the walls of the caste;
Krapanovye - stones are held by separate stands.
Computer graphics is a special area of informatics, dealing with methods and means of creating and processing images using software and hardware computing systems. Finds applications in scientific research, medicine.
Bezier Curve - A polynomial curve defined by a set of control points. Represents an equation whose order is one degree less quantity control points. Bézier curves are written in the form of mathematical formulas, so drawings obtained with their help provide the ability to scale without loss of image quality. The principle of drawing Bezier curves is to specify anchor points with the mouse and move the curve segments adjacent to these points.
Plant morphology is the science of the structural laws and processes of plant formation, which studies (in a broad sense) forms at all levels from the whole plant to cellular organelles and macromolecules, in a narrow sense - only macrostructures. In this case, anatomy, embryology and cytology of plants are distinguished from it as independent sciences.
Pixel (Picture cell) - a screen element, which is the minimum displayed element (taken as a point) on the monitor screen.
Design is a process that includes the analysis of the design assignment, generalization of the material, the execution of a sketch, layout, calculation of the technological process, artistic design, the study of sociological and economic demands.
Raster graphics are a way of presenting graphic information using a collection of pixels of various tones and shades from which an image is formed.
A spline is a smooth curve that passes through two or more anchor points and also has control points outside of it that affect the shape of the spline. The most common types of splines are Bézier curves and B-splines.
Scene is a collection of all types of objects and coordinate systems that make up a separate composition (separate document) in three-dimensional graphics.
Three-dimensional graphics (30) is a method of presenting graphic information, where the position of any point in the image is described by three coordinates.
Decorations - (from the word beauty - related bgoea - praise, glory) - the general name of decorative, ornamental forms in different types art and artistic processing of material (architecture, furniture, fabrics, ceramics, etc.); also pieces of jewelry.
A shank is a ring element that serves as the base of the ring and is put on the finger.
A jewelry earring is a detail of an earring, which is an element of the mechanism for attaching the earring to the earlobe.
Please note that the above scientific texts are posted for information and obtained by means of recognition of the original texts of dissertations (OCR). In this connection, they may contain errors associated with the imperfection of recognition algorithms. There are no such errors in PDF files of dissertations and abstracts that we deliver.
Gradually, they are passing into the past years when the ultimate dream was to learn from a faceless "manager" or "economist". The value of professional training is returned, as a result of which the graduate can create something new with his own hands. The profession of a jeweler is just one of those specialties that are experiencing a rebirth today.
« Jeweler today - he is an artisan who possesses artistic skills and follows the tastes of customers, knows how to carry out operations for assembling jewelry and securing inserts, and will also be able to organize his own business activities "(quoted from the Faberge College website).
The undoubted advantage of jewelry education is the wide development opportunities depending on personal abilities and inclinations. Those who like to tinker with metals and stones can get a secondary vocational education and work at one of the jewelry enterprises. If you have a penchant for design and images of new jewelry appear in your head one after another, you can choose to study at a university for an artist or designer with a jewelry bias. Those who just sincerely love everything related to jewelry, but are not ready to personally design models or work at a machine, can get an education as an expert, an appraiser of jewelry and just work in this area. For example, to become a manager, consultant or merchandiser in a jewelry salon or pawnshop.
Geological universities offer a separate "direction of development" - you will know everything about stones and will be able to work as a gemologist. Well, if you have already chosen a profession for yourself, and not jewelry at all, then you can take your heart out by attending jewelry courses or master classes. Family and loved ones will be happy to receive a pendant or a ring made by your own hands from time to time.
Let's go through the main options for obtaining a jewelry specialty - from the most thorough (universities) to secondary vocational (colleges) and highly specialized (courses, master classes).
In this article, we have posted the main, most famous jewelry schools, and gave examples of Moscow training centers. The situation in the field of education today is changing very quickly, there is a merger different schools, the usual names change. Write to us if we missed something or the information has changed since the moment of our publication - we will promptly make changes!
Jeweler's profession - where to study? Specialized universities
Moscow branch of the Higher School folk arts(former Institute of Traditional Applied Arts) - abbreviated as the Moscow branch of VShNI (former ITPI)
Founded in 1938, this is one of the oldest educational institutions similar profile. It is believed that most of the jewelers working at the Moscow art enterprises graduated from this particular school.
The Moscow branch of the Higher School (the school itself is located in St. Petersburg) offers training in the specialty " Jewelry Art"... The university trains jeweler-artists who know all the stages of making a piece of jewelry from design to implementation in the material. "Study assignments include natural and decorative images of natural motives, still life, landscape, portrait, human figure."
Training period: college (2g 10m) or institute (4g)
Address: Moscow, Musa Jalil str., 14, bldg. 2
Moscow State Art and Industry Academy named after Stroganov (MGHPA)
Jewelers at Stroganovka are trained at Department of Artistic Metal Processing, which has been operating since 1945. During their studies, students get acquainted with a huge range of applications of artistic metal: jewelry, medals, cups, small plastic, dishes and so on. Students copy museum exhibits, learn graphics, composition and technology. They practice in their own workshops of the university: blacksmith, foundry, gypsum, galvanic, jewelry, chased, enamel, metalwork and tooling.
Training period: 6 years
Address:
National Research Technological University (NUST "MISiS")
The Department of Foundry Technologies and Artistic Processing of Materials (EcoTech) trains specialists in the field of artistic processing of metals (including jewelry casting). Based on the results of training at the department, you can get a bachelor's degree in the direction "03/29/04 -" Technology of artistic processing of materials "
Moscow State University of Design and Technology (MSTUDT) (which includes the Kosygin Textile Institute)
Institute of Arts, Department of Costume and Fashion Art: the youngest direction in training - Artistic Jewelry Design. Upon graduation from the university, the graduate receives a diploma of an artist-stylist in the relevant specialty.
TOGLIATTI: School of Jewelry Design, Togliatti State University
("School of the Sharonovs")
UPD: according to our information (June 2016), the school may have suspended its work.
School founded married couple jewelers - Nikolai and Galina Sharonovs - 13 years ago, and is famous for the works of both founders and graduates. The Sharonovs' School is a higher school based on Togliatti State University, which graduates jewelry designers. The course is attended by 7 to 10 people. Nikolay and Galina Sharonovs, jewelers, members of the International Union of Designers and the Creative Union of Artists of Russia, associate professors of TSU in 1990, the Sharonovs created an art and production company "Skan", engaged in the development and manufacture of works of decorative and applied art.
Site: reference to the specialty "Decorative and applied arts and folk crafts" at the Institute of Fine and Decorative and Applied Arts of Togliatti State University
Universities with "related" jewelry specialties
There are not so many educational institutions that provide higher education in jewelry specialization. However, today there are quite a few universities where you can study to become a designer (albeit not a jewelry one), and then continue training in a jewelry profile (or, on the contrary, having studied as a jeweler in college or in courses, continue your studies in the design field). You can also graduate in another area related to the jewelry business:
Moscow State University, Faculty of Geology, specialization in gemology
It is possible to obtain the qualification of a gemologist (specialist in precious stones) at the Geological Faculty of Moscow University at different levels of higher education: bachelor's degree, five-year higher education, master's degree, postgraduate study, doctoral studies.
Gemology students study everything related to gemstones: general gemology, gem diagnostics, deposits, appraisal, semi-precious stones, and the gem and jewelry market.
Address: Moscow, GSP-1, Leninskie Gory, Main Building of Moscow State University, or st. Yaltinskaya, 11
Russian State Geological Prospecting University. Sergo Ordzhonikidze, Moscow
At the Russian State University for the Humanities at the Geological Prospecting Faculty, training is conducted in the specialty "Applied Geology" (qualification - mining engineer). Graduates work as researchers in research laboratories, as experts in state mineralogical museums and the Assay Office.
Training period: 5 years
Address: Moscow st. Miklukho-Maklaya, 23
Russian the University of Economics them. G.V. Plekhanov, Moscow
Faculty of Economics of Trade and Commodity Science (FETT), Department of Commodity Science and Commodity Expertise. Training in the specialty " Merchandising and examination of goods", One of the specializations - commodity expert non-food products... Among the disciplines studied are “Commodity Science and Expertise of Jewelry Products”, “Commodity Science and Expertise of Metal Goods”.
Training period: 4 years
Address: Moscow, Stremyanny per., 36
ROSTOV-ON-DON: DSTU (Don State Technical University)
The university teaches in the specialty "Technologies of artistic metal processing"
Address: Rostov-on-Don, Gagarina, 1
KRASNODAR: KGIK (Krasnodar State Institute of Culture)
- "arts and crafts and folk crafts, art metal"
Jeweler Schools: Colleges and Vocational Education
Primarily of interest are specialized colleges and colleges - art and arts and crafts. Most of them are subdivisions of universities from the first group:
The Moscow branch of the Higher School of Folk Arts (formerly the Institute of Traditional Applied Arts) - college (secondary vocational education) - see above in the Universities section.
Krasnoselsky School of Artistic Metal Processing (KUKHOM) - a branch of the Moscow Academy named after S.G. Stroganov.
Carries out training of specialists in programs of secondary vocational education in full-time education. IN KUKHOM teach on:
- designer for the jewelry industry(training period 3g 10m)
- artist of folk arts and crafts(training period 2g 10m)
Address: Kostroma region; smt. Red-on-Volga
Vasnetsov College of Art and Industry, Abramtsevo branch of the Moscow Academy named after V.I. S.G. Stroganov.
Trains artists of decorative and applied arts(wood, stone, metal, bone, design and so on)
Training period: 3g 10m
Address:
College of arts and crafts №36 named after Karl Faberge, Moscow
The college was established in 2005, and offers training in the specialty "Yu velir ", and " Encrustator"And" D design in the jewelry industry "... College graduates-professional jewelers become heads of production sites, leading designers, artists and technologists, owners of their own business. Graduates of the college with the profession "Jeweler" can continue their studies at the college with a degree in "Design in the jewelry industry", as well as in higher educational institutions.
Training period: 3g 5m - on the basis of 9 classes, or 1g 10m on the basis of 11 classes
Address:
First Moscow educational complex, Moscow
- was established in 2014 on the basis of four Moscow colleges: College of Technology No. 14, College of Arts and Crafts No. 59, College of Entrepreneurship No. 15, Moscow Art and Pedagogical College of Technology and Design. The complex offers the specialty " Jeweler"(And also, for example," Artist of miniature painting "). True, on the organization's website it is still impossible to read in more detail about what is included in the training plan.
Address: Moscow, Tikhomirova str. 10, building 1
In addition to specialized ones, you can study jewelry in colleges of a more universal orientation. The profession of a jeweler in such schools is represented along with other numerous specialties useful for the "national economy". There are similar secondary vocational educational institutions in many cities. Let's take as an example several Moscow schools:
College of Entrepreneurship №11, Moscow
Among other specialties, they teach there on " Diamond cutter into diamonds "... Graduates can do all the work of cutting diamonds using modern equipment and technological equipment. There are budget and commercial options.
Address: Moscow, Smolnaya st., 10a
Ovchinnikov Polytechnic College No. 13, Moscow
In the technical school, among other specialties, it is declared “ Jeweler - basic training "... According to the information on the website, training is free, admission to training without exams. Graduates receive a state diploma of secondary vocational education with the receipt of secondary general education.
Training period: 3g 5m (based on 9 classes) or 1g 10m based on 11 classes.
Address: Moscow city, Bibirevskaya street, 6, bldg. 1
SAINT-PETERSBURG: SGBPOU "Artistic and Professional Lyceum of St. Petersburg named after Karl Faberge"
- where they will teach the specialty "jeweler" on the basis of 9 or 11 grades.
Address: St. Petersburg, Energetikov Ave., 4, building 2 (metro station "Ladozhskaya")
EKATERINBURG: Ural technical school "Rifey"
- will help to master the craft of a jeweler. Education on the basis of 9 or 11 grades, qualification - jeweler, cutter.
Where else do you study to become a jeweler? Courses and workshops
If you do not need a diploma of higher or secondary vocational education, but you need knowledge and skills, the best option would be to find suitable courses or take a master class. Services of additional training for a jeweler are offered by both "titans of the industry", which we have already mentioned above, and various private studios and jewelry enterprises. It makes sense to search for suitable jewelry courses by placing specific queries in a search engine. Well, we're just giving examples. different options similar training.
British Higher School of Art and Design, Moscow
- in 2015 announced a new program for 1 year - “ Jewelry design. Basic course"... The course is designed to form a fundamentally new layer of modern jewelry designers who understand that a piece of jewelry art does not always involve the use of precious stones and metals, but necessarily has a unique idea and embodiment. Students need to tune in in advance to a rather high cost of education - 250 thousand rubles.
The British School also recently introduced a short-term design course for goldsmiths.
Address: Moscow, N. Syromyatnicheskaya st., 10, building 3. Artplay Design Center
Short-term courses at the Stroganov Moscow State Art and Industry Academy (MGHPA)
The Academy, among others, announces a 6-week course “ Jewelry and enamel business" For everyone. It is carried out at the department of art metal, with the issuance of a certificate from the Stroganov Moscow State University of Applied Arts or a document on advanced training. True, it is not cheap - 45 thousand rubles.
Address: Moscow, Volokolamskoe highway, 9
Additional courses and master classes from the Vasnetsov Art and Industry College (Abramtsev branch of the Stroganov Moscow State Art and Industry Academy).
The college offers various specialized courses, for example, in cloisonne enamel(description).
Address: Khotkovo settlement, Moscow region
Education for adults (courses) at the College of arts and crafts №36 named after Karl Faberge
The college offers an extensive program of a variety of creative courses, including jewelry focus (" Jeweler-assembler / fixer ", « Artistic enameling of jewelry " and others). Upon completion of training, a Certificate (certificate) of the corresponding sample or certificate is issued.
Address: Moscow, st. Shipilovskaya, 17/1, building 2
Master classes from the College of Decorative and Applied Arts No. 36 named after Carl Faberge
Offered, including a master class " Jewelry Making "
Address: Moscow, st. Shipilovskaya, 17/1, building 2
Author's courses at the Kosygin Moscow State Textile University
Short courses may include training in various jewelry making techniques, such as making leather jewelry.
Address: Moscow, st. Sadovnicheskaya, 33, bldg. 1
Site: ipk-design.com/avtor_kursi/
The Gemological Center at the Geological Faculty of Moscow State University conducts short-term courses as part of additional education. Programs: examination of precious stones, diamond examination, rough diamond appraisal, jewelry appraisal... The course does not require any prior preparation. The developed programs are relevant both for practicing specialists and for those who are just planning professional activity in the field of gemology.
Address: classes are held in the Main Building of Moscow State University on Sparrow Hills - Moscow, GSP-1, Leninskie Gory
"Gemological Academy" (GemAcademy, or "International Center for Gemology and Business") - offers a set of short-term commercial courses for specialists in the jewelry market ( marketing in the jewelry business, investment in precious stones, business practices, diamond grading, jewelry brands). The experience and knowledge of the Center is supported by close relationships with the GemCenter of the Moscow State University. Lomonosov.
Gemological courses, seminars and trainings from the analytical laboratory of the Vernadsky Gemological Museum (Moscow)
The laboratory at the museum regularly conducts master classes "How to buy jewelry?", As well as seminars on precious stones and jewelry art.
You can get a good amount of knowledge and aesthetic pleasure from visiting the Kremlin museums by participating in the World of Precious Stone program. The program was announced on the Moscow Kremlin website. It consists of 8 visits to the museum - classes including a lecture on a given topic and an acquaintance with the collections of the Armory. In the classroom, it is given the opportunity not only to get acquainted with professional equipment (refractometer, microscope), but also to independently try to evaluate a particular mineral.
"Workshop of free jewelers Artifactorium", Moscow
Jewelry courses, master classes and coworking spaces are workplaces for jewelers.
Address: Moscow, st. Novy Arbat, 34, bldg. 1
"Glass Academy" (Moscow)
- a creative workshop for those who are passionate about lampwork technique and have ambitions to become a professional in glass work. Conducts courses, workshops with renowned glass experts from around the world, and exhibitions.
Address: Moscow, st. Baltiyskaya, 11, metro Sokol
School of Contemporary Jewelry Design j-design.pro (Dmitry Medvedev, Moscow)
- teaches three areas: jewelry composition, 3D modeling, craftsmanship.
Address: Moscow, Maly Strochenovsky lane 40/11
Training in 3D modeling (Zakhar Emelyanchuk, Moscow)
SAINT PETERSBURG: School jewelry craftsmanship(SHUM)
The school provides training in the following specialties: jeweler-assembler (craftsmanship of hand-made products), jeweler-fixer, enameller, engraver, jewelry design, gemology, 3D modeling, chain-knitting, filigree technique, wax modeling, and also conducts refresher courses.
SAINT-PETERSBURG: School of Jewelry "Image and Form"
In 2000, on the basis of the FORMA Foundation, a school of jewelry art “IMAGE and FORM” was created. The goal of the foundation is to educate a new generation of designers and stimulate their creative growth. School of Jewelry Arts teaches the basics of professional creative activity, great attention devotes to the achievement of a high level of proficiency in the skills of composition, drawing, painting, graphics and other artistic subjects.
Address: St. Petersburg, st. B. Pushkarevskaya, 46, ap. eighteen
Jewelry studio "Rostok" (Moscow) conducts training in jewelry skills and a variety of master classes.
The School of Jewelry Craftsmanship in Moscow is the author's school of the jeweler Vladimir Uspeshin, which conducts individual training and courses. "My name is Vladimir. For more than 20 years I have been professionally engaged in jewelry business and I pass on my experience to young masters. "
The list of private jewelry courses is much more extensive than the companies listed here.
Studying jewelry art abroad
Among the most famous foreign jewelry schools, the following are usually named:
Le Arti Orafe Jewelery School & Academy (Italy, Florence)
At school, you can take one-, two- or three-year courses.
L'Ecole Van Cleef & Arpels (France, Paris)
Fashion Institute of Technology (USA, New York)
The famous university was founded in 1944. FIT offers you dozens of different programs.
Instituto Europeo di Design - University of Design (Spain, Milan).
Many famous fashion designers and designers graduated from it. The Department of Jewelry Design at the University of Milan is highly regarded.
Central College of Art and Design named after St. Martin (Central Saint Martins, London). One of the oldest English-speaking design universities in the world and the first of its kind in the UK. Founded in 1854, located in the city of London.
Royal College of Art, London - Offers a second adult degree in design and the arts.
Selection of foreign educational institutions (jewelry design, craftsmanship)
Other useful links to jewelry courses and schools
School of Jewelry Craftsmanship (SHYUM), St. Petersburg
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Olga Kovaleva |
Evsyukova Evgeniya Viktorovna |
Sokolovskaya Anna Alekseevna |
Deputy DeansCandidates technical sciences, associate professors, |
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About the institute
The Institute of Arts is a complex educational institution in which undergraduate, graduate and postgraduate students of several artistic educational directions and profiles learn professional skills in several educational buildings in lecture halls, creative and industrial workshops, own and museum exhibition halls. Future trendsetters in costume and ornament, jewelers, art critics, restorers, photographers listen to lectures and create in a single friendly team, laying comradely and business contacts that will support their whole life.
An important feature of the institute, we consider the joint study of both creators and researchers of art and art critics, which allows us to give Russian culture to young people who are aware of their place in modern artistic life and actively influence its formation. Articles and commercials by art students about their talented fellow artists and designers appear in the media and special literature even before graduation.
The institute has its own traditions individual approach to development creativity students. The combination of theoretical training with serious practical activity gives nice results: University students receive awards from the largest domestic and international competitions fashion and design: "Russian silhouette", "Clockwork orange", "Step into the future", "Stroganov festival fashion designers"," Perspective ". “New Age”, “Embroidered Painting”, the De Beers jewelry company competition, the Mittel Fashion competition (Italy), contests for students of schools of modeling the world (Japan, China, Germany), etc. Participation in exhibitions not only allows students to see yourself from the outside, but also to make connections that are useful for a career.
Structure of the Institute of Arts
Chairs
01. The art of costume and fashion
02. The art of textiles and ornamentation
03. Art history
04. Drawing and painting
05. Restoration and chemical treatment materials
Workshops and laboratories
01. Workshop of drawing and plastic anatomy.
02. Drawing workshops.
03. Painting workshops.
04. Laboratory of innovative technologies.
05. Sewing workshops.
06. Laboratory for artistic design of footwear and accessories.
07. Jewelry workshop.
08. Laboratory for designing knitwear.
09. Hand-weaving workshop.
10. Workshop of art painting.
11. Workshop of artistic embroidery.
12. Laboratory of lace art.
13. Workshop of art ceramics.
14. Laboratory of soft toys.
15. Laboratory of Art Photography.
16. Workshop for photography and unique printing.
17. Laboratory of architectonics and souvenir products.
18. Laboratory of Art Design and Weaving.
19. Research laboratories for restoration.
20. Physicochemical laboratory.
21. Educational and laboratory rooms.
22. Coloristic center-laboratory.
23. The Museum of Artistic Fabrics is a scientific and creative laboratory of the Institute of Arts.
Directions and profiles of training
In accordance with the current Federal State Educational Standards of Higher Professional Education, the Institute of Arts accepts and trains bachelors and masters in the following areas and profiles:
Direction 54.03.03. "Art of Costume and Textile" with training profiles:
... "Artistic costume design" (sub-profiles: artistic costume design "," Artistic design of knitwear ")
... "Artistic design of textiles" (sub-profiles: "Artistic design of textiles for a suit", "Artistic design of textiles for the interior")
... "Artistic design of leather goods"
... "Artistic jewelry design"
... "Advertising and art photography"
Direction 50.03.02 "Fine Arts"
Direction 54.03.04 "Restoration"
Profile - "Restoration of artistic textiles"
Profile - "Artistic textiles"
For graduates of the profile "Artistic costume design" the area of professional activity is: design of author's collections of "Haute Couture" and "Pret-a-Porter" models; costume of all types for celebrations, business communication and Everyday life, tracksuit from fabrics and other materials for clothing and knitwear, creating a spectacular costume.
For graduates of the profile "Artistic design of textiles" The area of professional activity is: the development of collections of unique and industrial artistic textiles for all types of clothing, for residential and public interiors. Unique textiles are made using techniques of various painting (batik), hand weaving (tapestry), hand printing (silk screen printing). Industrial art textile collections are designed for mass production shawls, scarves, umbrellas, ties and other costume accessories; production of carpets, bed linen, wallpaper, floor coverings and other interior textiles.
For graduates of the profile "Artistic design of leather goods" the area of professional activity is the design of unique and industrial collections of footwear and leather haberdashery and other costume accessories in fashion houses and at enterprises of the leather and footwear industry from natural and artificial leather(model, sports, tourist, orthopedic shoes of all types, bags, backpacks, suitcases, leather interior products, hiking and racing ammunition, leather jewelry, etc. products).
For graduates of the profile "Artistic jewelry design" the area of professional activity is the design of unique and massive collections of jewelry and bijouterie in jewelry companies, workshops and jewelry industry enterprises. Development of forms and decor of exclusive and precious accessories, cases of clock mechanisms, souvenirs using precious metals, enamel, natural, artificial, precious and semi-precious stones, plastics, glass and other materials.
For graduates of the profile "Advertising and art photography" the area of professional activity is the creation of photographic works for their intended use in mass communications (magazines, fashion catalogs, and other print and online publications, slide shows, TV shows), design practice in departments of PR-actions of a commercial or political orientation. Creative work in genres such as fashion photography, jewelry photography and fashion accessories, perfumery and other unique and industrial goods, photography advertising for sports, tourism and recreation, the creation of works of art in the field of artistic photography and experimental photography using traditional techniques and the latest computer technologies.
For graduates of the direction "Restoration"(profile "Restoration of artistic textiles") the area of professional activity is the identification and attribution of objects of material and artistic culture, the definition of their artistic and historical value and restoration (conservation, reconstruction)
Education of bachelors, in general, is aimed at mastering knowledge for working with monuments of the entire sphere of material and artistic culture (painting, graphics, sculpture, etc.). Particular attention is paid to the research, attribution and restoration of objects of decorative and applied art and, in particular, artistic textiles and items that make up the costume (including various accessories, up to jewelry).
Restoration bachelors prepare for the following professional activities:
conservative restoration; research and scientific-methodical; research and design; organizational and managerial; expert; production and technological
Significant time in educational process paid to classes in drawing, painting and composition, tk. the restorer must know the basics of creating works of art and be able to speak the same language with artists and designers.
For graduates of the direction 50.03.02. "Fine arts" provides for the acquisition of all the skills necessary for the work of an art critic in modern conditions: research, expert and analytical, pedagogical, cultural and educational, organizational and managerial, including the basics of art business, museum business, work in the media.
For graduates of the direction "Decorative and applied arts and folk crafts"(profile "Artistic textiles") the area of professional activity is the entire sphere of decorative and applied arts and folk crafts (objects and products of cultural and household purpose, decorative plastic, decoration interiors) and training is aimed at creating such works. A special feature of the training is in-depth mastering of the processes of creating unique artistic textiles (hand weaving, hand-painting - "batik" and printing - "printed", embroidery, tapestries, carpets, tapestries, products from felt and other non-woven materials, "patchwork" sewing, doll art etc.
The professional activities of bachelors include the following knowledge and skills:
Possession of methods of creating works of decorative and applied arts and folk crafts; possession of real ideas about the production process of objects and products declared in the name of the direction and the ability to create them in practice; knowledge of management processes in the field of applied arts; knowledge of the basics pedagogical work in general education and secondary vocational educational institutions focused on arts and crafts and folk crafts, the ability to independently lecture and conduct practical exercises.
Photo gallery
Photo gallery - Institute of Arts of the Russian State University named after A.N. Kosygin
Brief history of the institute
The Institute of Arts is organized on the basis of the structures of the Faculty of Applied Arts (renowned in the second half of the twentieth century - FPI) of the Moscow State Textile University, which was affiliated to MGUDT in 2013. The Institute is the result of the development of the scientific and pedagogical school for the creation of artistic textiles, which originated in Moscow in the first quarter of the nineteenth century, and the school for the artistic design of textiles and costumes, formed in the 1920s of the twentieth century within the walls of the first Russian art and technical university - VKHUTEMAS-VKHUTEIN ... Many modern techniques The Institute's teaching is directly based on the avant-garde searches of such teachers of VKHUTEMAS-VKHUTEIN as V. Stepanova, L. Popova, A. Rodchenko, L. Mayakovskaya, V. Udaltsova, A. Kuprin.
Perfection educational process has been going on continuously for 200 years, since knowledge, despite the difficulties in the life of Russia, the change of generations and teachers and the names of educational institutions, was passed on and is passed from hand to hand. The experience of training specialists with higher art education has been accumulated since 1920, i.e. nearly 100 years.
After the Textile University became a part of MGUDT, in 2014-2016 new areas of study were opened at the institute: "Fine Arts", "Restoration", "Decorative and Applied Arts and Folk Crafts", and the institute received its modern name - the Institute of Arts.
Master's programs:
1. "Art design of a costume from modern materials(headed by prof. Lobanov N.A., associate professor Kovaleva O.V.).
2. "Advertising photography and photo-ART" (supervisor of studies, professor Beschastnov NP, candidate of studies, associate professor Beschastnov PN).
3. "Author's painting and ART-quilting in modern artistic textiles" (supervisor of Candidate of Arts, Assistant Professor EV Morozova, Candidate of Technical Sciences A. Aksenova).
4. "Conceptual design of volumetric-spatial forms and accessories of a suit" (supervisor of Doctor of Technical Sciences, professor Bastov GA).
5. "Art and ART Criticism" (supervisor of Doctor of Arts, Prof. NP Beschastnov, Candidate of Arts, Associate Professor Kalashnikov EV).
6. "Ballet and Synthesis of Plastic Arts" (supervisor of Doctor of Arts, prof. Portnova TV).
7. "Museum business and the practice of contemporary art galleries" (head of the Candidate of Sciences, Associate Professor Malova TV).
The number of students today.
504 undergraduate, undergraduate and postgraduate students.
Faculty
48 teachers (12 professors, 28 associate professors, 8 assistants and senior teachers)
Technical equipment of the auditorium fund
Classrooms, creative workshops and laboratories are equipped with the equipment necessary for classes in accordance with the directions and profiles of training for bachelors, masters and graduate students of the institute.
Achievements of teachers and students
The institute employs: 1 State Prize Laureate in the field of literature and art, 5 Laureates of the Government of the Russian Federation in the field of education, 1 Honored Scientist, 1 Honored Artist of Russia, 1 Honored Art Worker of the Republic of Tatarstan, 6 Honorary Workers of Higher Professional Education, 1 Honored cultural worker of Mongolia.
Annually, about 20 teachers and 50 students of the institute become laureates and diploma winners of various international and all-Russian competitions and exhibitions.
Graduates who have achieved success
The graduates who have achieved success include almost the entire faculty of the institute, Vyacheslav and Yegor Zaitsevs, V Andriyanova, V. Zubts, D. Simachev, O. Ovsiev, S. Efremov, N. Neretina, P. Donis and many others.