DIY fabric origami in clothes. Origami butterfly made of fabric. Master Class. We sew a pillow cover with elements of "Origami from fabric"

25.04.2021

Municipal budgetary educational institution

Circumpolar secondary school

TECHNOLOGY PROJECT

Completed by: Anastasia Kuznetsova,

7th grade student

Teacher: Yumasheva S.V.

Introduction

Theme of work "Origami from fabric". Fabric origami is a special phenomenon. It is much younger than orikat (origata) - the six-hundred-year-old custom of folding paper, passed down from generation to generation in the samurai class. But it has its own philosophy, its own rules, its own techniques.

When choosing a theme for a project, I wanted to work on something new. In technology lessons, we were introduced to the types of arts and crafts, and among them the name origami from fabric sounded. It interested me. I like to fold paper figures and did not know that it can be done with fabric. Therefore, this became my theme for the project.

Before completing the project, I set myself the following goals and objectives.

Objective: learn the fabric origami technique and do something with this technique.

Get to know the history of origami.

Learn the technique of making origami from fabric.

Make your own product using this technique.

Projects are classified by number, time and focus.

This project is individual, short-term, practical.

To complete this project, I used the following methods: study and practice.

There is very little literature on this type of decorative and applied art. In the work on the project, I used books that contain rich illustrated material and manufacturing techniques. Especially the book by T.V. Galanova helped me. "Origami their fabrics." Technics. Receptions. Products. - Encyclopedia.

The material can be used in technology lessons, MHC, in the classroom.

INTRODUCTION

Origami is the original Japanese art of creating models of various objects, animals, birds, flowers by folding a sheet of paper. No one knows exactly who and when invented origami and how its unwritten rules were developed. There is even an opinion that this art is older than paper. That the first origami figures arose from the art of draping fabric in the manufacture of traditional Japanese clothing. Many generations of Japanese have contributed to origami, passing on the ability to fold a flat sheet into a wonderful figurine.

Since ancient times, origami has played different roles in Japanese life. Paper figures accompanied ritual processions in Shinto shrines, graceful butterflies decorated the wedding table, samurai entertained ladies at medieval balls by folding simple figures, caring relatives hung magic paper balls over the bed of a sick person to drive out evil spirits. From generation to generation, the ancient art was perfected, selecting the most graceful, most expressive figures for posterity.

Over time, origami went beyond the religious framework and became a court art. Only a select few could do it, since paper was a rare and very expensive material. The ability to fold a figure from a square sheet was considered a sign of good education, refined manners and refined taste.

The emergence of origami

IN In ancient China, paper was used in a variety of ways, including. and in religious rites. For example, it was initially customary at the funeral to burn all his household belongings together with the deceased, in order to ensure his further path in heaven. However, later, out of thrift, the deceased's real things were replaced with special strips of paper on which only their names were written (these days, similar strips of paper with printed wishes of prosperity and happiness can be bought in small shops in China). A variety of useful things in everyday life, such as the famous hanging lanterns, were also made of paper. In their manufacture, the folding technique was also used. However, folding figures from square sheets of paper did not develop in China as strongly as in Japan. This is probably due to the fact that the Japanese used paper not only for writing, the production of screens, umbrellas, windows and even clothes, but also for a visual demonstration of some of the ideological ideas of the philosophy of Zen Buddhism.

Buddhists were the first to pay attention to the little things and destroyed the division of the world into high and low (as opposed to the Western focus on general laws, addiction to the big, leading to the division of the arts into high and low, occupations into important and not so). They turned their attention to everything that is fragile, for a moment, to the smallest smallness, with a wonderful purpose - to catch in it, in trifles, the breath of eternity, for in the world everything is connected with everything. They were looking for the manifestation of a single and indivisible truth in the simplest form - makoto - for any little contains it, and one must be able to find it, the Truth, there.

Buddhism generally sought truth in many directions, and each people who accepted it found their own special path to it. Speaking about the path in the Buddhist understanding, it is worth emphasizing that different paths to Truth in it did not compete with each other, but rather complemented each other, because all led in one direction - to the one and indivisible Truth. In this sense, the East did not know the religious fanaticism of Europe.

Japanese Buddhists have developed amazingly powerful ways to see the Truth. They discovered the surest sign of it: beauty. The Japanese branch of Buddhism took the path of the imperceptible, chose beauty as an indicator of truth. On this path, the Japanese discovered the beauty of fragility, simple things, and the time tinge on things.

This is why origami was not born, for example, in China, where Zen (Chin. Ch'an) Buddhism also flourished. The Chinese were looking for the truth in another direction, there was no bi-do - the path of beauty, i.e. ideas about beauty as a path to Truth.

In general, the Japanese discovered the beauty hidden in things in the 9th-12th centuries, in the Heian era (794-1185) and even designated it with a special concept of "mono-no-avare". This discovery comes from Shinto, the belief that every thing, every phenomenon, even words, contains a kami - a deity. Shintoism, in general, is very similar to our paganism. For Shintoists, kami lives, settles especially willingly in everything that is unusual. For example, in paper. And, even more so, in a twisted into a tricky zigzag gohei, which hangs today in front of the entrance to Shinto shrines and indicates the presence of a deity in the temple. There are 20 options for folding the gohei, and the ones that are particularly unusual will attract the kami. Since the 9th century, it has been a custom in Japan to strengthen the gohei on the belts of sumo wrestlers before the start of the fight.

Still stacked up in Japan kata-shiro- eight dolls made of white paper, which are placed to prevent misfortunes in all eight directions of space; add up gofu- paper amulets; and nagashi-bina- a symbol of family harmony: he and she are in a paper kimono on a round bed. To drive out evil spirits and purify temples, Shintoists still use haram geese- a broom made of strips of white paper. In general, the role of paper in Shinto is very great, and an esoteric meaning is given to products made from it.

During the Kamakura (1185-1333) and Muromachi (1333-1573) periods, origami goes beyond the temples and reaches the imperial court. The aristocracy and courtiers had to have certain skills in the art of folding. Notes folded in the shape of a butterfly, crane, flower or abstract geometric figure were a sign of friendship or good wishes for a loved one. They sometimes managed to express more attention, love, than it could be done with words. The ability to add has become one of the hallmarks of a good education and exquisite manners. Various noble families used origami figurines as coat of arms and seal. The 11th-century lady-in-waiting Murasaki Shikibu mentions in her book Ganji Mono Gatari (The Tale of the Brilliant Prince Ganji) a variety

origami - the art of letter folding, when the letter itself was transformed into an intricate embellished envelope.

During the Azuchi-Momoyan (1573 - 1603) and Edo (1603 - 1867) periods, origami evolved from a ceremonial art to a popular pastime. Then paper ceased to be a luxury item and origami began to spread among the common people. It was then, three or four hundred years ago, that a number of new figures were invented, which later became classics. Among them is the Japanese crane ( tsuru) is a traditional Japanese symbol of happiness and longevity. The art of origami in Japan has become a tradition that has been passed down from generation to generation mainly through female lines. Origami historians claim that by the manner of folding and the set of figures it was possible to determine the province of Japan in which the girl grew up and studied.

So, Shintoism was involved in the emergence of origami, which drew the attention of Buddhists to the secret of a sheet of paper. The similarity of the sound of the Japanese words "paper" and "deity" - "kami" was also important. A certain mystical connection between religious rituals and folded paper products arose in the Japanese imaginations. It is no coincidence that the first origami appear in Shinto shrines. One of the rituals with their use consisted of making small paper boxes sanbo, which were filled with pieces of fish and vegetables, offering them as sacrifices to the gods.

The first books on origami.

The first Japanese origami edition is considered to be the book "Semba-tsuru orikata", which was published in 1797. The translation of its name "How to fold a thousand cranes" clearly hints at an old legend that a thousand folded classic paper birds help to fulfill desires. The book is entirely devoted to folding a single model - the crane. The variety of 49 models included in it is based on a different combination of cranes with each other. For example, they can be in the form of a garland in which the figures are connected by the tips of the wings or beaks. For folding such a structure, blanks are made from strips or rectangles with notches not fully completed, which turn the blanks into sets of squares. The rector of the Rokan Temple is considered to be the author of Sembazuru Orikata. In the same 1797 he published the book "Chashingura orikata", in which he showed how, using folding and scissors, to make the main characters of the then popular play "Chashingura" out of paper.

In 1845, the book "Kan-no-mado" was published in Japan, which in literary translation means "winter window", or more precisely "window of the middle of winter". It includes instructions, mostly verbal, on how to fold dozens of classic paper figures and graphic illustrations of finished models. Experts in the history of origami claim that it was in "Kan-no-mado" that the scheme of folding the basic shape of the "frog" and the figure itself on this basis was first printed. The appearance of this book during the Tokugawa period (1603-1867) is not accidental. It was this time that was characterized by the beginning of the "democratization" of origami - the transformation of this activity from a ritual-temple activity into a popular leisure activity. The title of the book refers to origami as an activity with which you can pleasantly while away a long winter evening. But there is another interpretation of the name - as a hint of the light of modest knowledge that can be gleaned from it.

In 1879, the headmaster of a girls' school, Saki Nobuzou, made an origami book for his young students, containing a guide to folding 20 simple classic figures. In 1885, Okamoto Konseki published an origami book for children, Orikata, which was later translated into English.

One of the most popular origami varieties is modular origami... Here the whole figure is assembled from many small parts (modules), where each part is folded separately. The most popular modular-style figure is the kusudama, which is a three-dimensional spherical figure assembled from individual modules.

Folding along the sweep more complicated, since the flat pattern is a drawing that shows all the folds that form when the finished model is flattened. However, this method provides information not only on how to fold the model, but also on how the model was conceived. Flat patterns are commonly used when developing new origami models.

Wet folding method gives the figures expressiveness and smoothness of lines. This method is especially relevant for folding the figures of flowers and animals. Wet folding involves the use of thick enough sized paper that will not come apart when wet.

Origami may seem like child's play, but in many countries around the world it is an integral attribute of folk holidays and even a design element. There are even theaters where all the decorations and characters are made using the origami technique. Now in big cities, courses and master classes in origami are being held, whole schools are opening where groups of people of different ages learn this art from real professionals.

Origami from fabric

A new kind of needlework for Russians - origami from fabric- folding fabric flowers. This is a kind of ancient Japanese art. origami- paper folding of figures of animals, birds, butterflies, flowers, etc., - which has become popular recently. For the sake of fairness, it must be said that the origins of this fascinating activity, which allows you to create real miracles from pieces of woven materials, competing with nature in fiction, can also be found here: just remember how the fabrics were intricately draped when sewing clothes in the old days. but origami from fabric- a special phenomenon. It is much younger than orikat (origata) - a six-hundred-year-old custom of beautifully folding paper, passed down from generation to generation in the samurai class. But it has its own philosophy, its own rules, its own techniques - quite simple, and the results are simply amazing with a minimum of time, effort and money.

No special devices are needed. Only what is in every home is involved: scissors, needles, threads, a sewing machine ... The main "tool" is the hands. They will be skillful if they are approached in good spirits. And this kind spirit will surely go into a hand-made product.

Once upon a time, with the help of origami, they conducted "correspondence": they confessed their love, expressed respect, confirmed friendly feelings, etc. Each fold of paper origami carried its own meaning. What message can fabric flowers carry? If they are made for themselves, decorating their clothes, household items, dwelling with them, then, apparently, in this way a person informs others about himself that he is open to the world, to everything new and loves life. If a flower or a product with it is presented to another, then this is at least a demonstration of friendly disposition.

A deeper interpretation is also possible, if we recall the symbolism adopted in Europe: thistle - kindness, hydrangea - generosity, generosity, dahlia - maximalism, bell - conservatism, tulip - dignity, rose - beauty and inaccessibility, aster - fun, freesia - fearlessness and stubbornness, peony - endurance, gladiolus - hard work, etc. There is only one problem: knowledge of such wonderful properties of flowers is the lot of a few,

therefore, in order for your "message" to be fully deciphered, perhaps you need another hint, a hint?

Crafts from fabric folding is easier than figurines made of paper: an incorrectly made fold on paper can no longer be corrected, whereas fabric allows you to achieve a good result even after several mistakes. Flowers are made on the basis of several patterns (six of them, the main ones, are given in the book). But first, fabrics are selected - in contrasting colors, to give the flower more expressiveness. In this case, you can be guided by intuition, or you can - by the hints of the color wheel. And then the process of creating a flower begins - in fact, in many respects, copying the shapes and color combinations that Nature has already found. Maybe, doing origami from fabric, people come closer to understanding the secrets of the universe?

In the origami technique, you can make jewelry in the form of flowers or make or use them or use them to effective and necessary things (bags, boxes), but you can also sew pillow products, glasses cases, cosmetic bags, and then decorate them with fabric flowers. In the origami technique, clothes are also made, used in the interior, napkins, towels, etc. are folded.

Consider some origami products:

Bag 1

clothing

Bag 2

Housekeeper

napkins

Bag 3

Casket

clothing

Folding the towels

Cushions

All the products are very interesting, but when starting to learn the technique, I think you need to start with something simpler.

Folding napkins is the easiest. I tried it and it worked out, but I want something more interesting.

Making clothes using this technique is very difficult for beginners.

Folding towels can be used when playing with children - it is fun and beneficial for the development of the child.

P
oddushki, a box and a housekeeper are interesting little things, but I was interested in bags, especially No. 3 - the original one.

To implement this idea, it is necessary to master the technique of making flowers from fabric.

To create origami from fabric, so that the products turn out to be expressive, materials that complement each other are most often used. Contrast

used mainly for color. The petals, for example, are made of light-colored fabric, and the base is made of a darker one, or vice versa.

For the manufacture of modules - blanks from which flowers are then folded - contrasting fabrics are needed, of the same thickness, density, keeping their shape well and not falling apart. Based on this, you need to choose from cotton, blended, silk and fine woolen materials.

Additional materials will help to place the necessary accents, to complete the work, to correctly decorate the product: beads, beads, sequins, rhinestones, buttons, braid, ribbons, cords, bird feathers, colored wire.

When I saw this bag, the first thing that came to my mind - I will make it from denim! We have old jeans at home. So there is a use for them.

And for making flowers, I have a fabric in a cage. Denim always looks good in combination with a cage fabric. For the decoration, I use thread ball buttons.

Well, let's get to work!

Bag size 26 x 27 cm

Materials:

Denim - size 58 x 28 cm.

For the handle - denim 108 x 5 cm

plaid fabric - tartan measuring 108 x 5 cm

4 fabric flowers; for them the material: denim and plaid.

6 green ball buttons.

The threads are green in the color of the buttons.

Tools and fixtures:

Hand needles

Progress:

A bag:

Cut the inside leg of the jeans. Iron out. Cut a 58 x 28 cm rectangle.

Fold the workpiece in half with the right side inward.

3. Stitch the sides with a 1 cm seam and overcast.

4. Overlock the top edge.

5. Turn to the front side.

6. Fold the top edge of the bag over to the wrong side by 3.5 cm and topstitch.

7. From the second leg, cut two strips for the handle measuring 55 x 5 cm. Stitch in one strip, seam width 1 cm. Press the seam open.

8. From the checkered fabric, cut a strip for the handle measuring 108 x 5 cm.

9. Make a handle for the bag: fold the two parts with the right sides inward, overstitch to a width of 0.7 cm, turn on the front side, sweep. Give a finishing line along the edge of 0.1 - 0.2 cm.

10. Iron the bag.

11. Connect the handle to the bag by sewing on the finishing buttons-balls.

Flowers:

Make 4 flowers - anemones (see below). Arrange the flowers in the form of a square, the diagonals of which are perpendicular to the sides of the bag. Attach the flowers to the bag with blind stitches. Sew a button in the center of each flower.

Making a flower - ANEMONA (ANEMONA).

1. Using a round template (Appendix 1) cut out one piece from a plain and colored fabric. (Before proceeding with the cutting of the module, you need to determine what the size of each flower should be and make a template of the corresponding size).

2. Fold the parts right side in and sweep along the marked lines. Sew the parts, leaving an area of 2 cm unstitched for turning the part to the front side. Remove the basting.

3. Unscrew the part to the right side, sweep along the edge, press it on, remove the basting, press it on.

4. Sew the left area with blind stitches.

5. Bend slightly horizontally and vertically to determine its center. Mark the center point on both sides of the module with a pencil, crayon.

6. Put the module with the colored side up and place a template of a small octagon in its middle (Appendix 2). Outline the outline of the template with a pencil, and then remove the template (Fig. 1).

7. Along the outlined lines, fold the opposite segments towards the center of the workpiece (Fig. 2) and with an effort slide your thumbnail along the folds.

8. Using a needle and thread, sew the tops of the folded segments to the center of the module. The module should become square.

9. Fully open the pockets in each corner (fig. 3).

10. Unscrew the edges of the "pockets", bending the tops 1 cm beyond the edges of the module and fix their position with several inconspicuous stitches (Fig. 4).

11. The flower is ready!

The bag is ready! It turned out funny!

The bag did not require large material costs, tk. made of old things. You can change the size, make it smaller or larger, and make it from other fabrics. It can be used for going to the beach, visiting and not only, as well as a gift for a child. Removing the handle and inserting the "zipper" will make a nice cosmetic bag. By changing the size and color of the fabric, we will get the original baby handbag.

The manufacturing technique is quite accessible, uncomplicated and very interesting.

Before completing the project, it seemed to me that the technique of folding the fabric is something little-known, but we come across this much more often than we think. When laying the festive table, we fold napkins in various ways, and this is origami. In the manufacture of evening dresses, especially stage dresses, this technique is also used. Flowers folded from fabric can be used to decorate a casket, a handbag, a festive table, clothes, etc. And in order to diversify, to make it all more festive, interesting, funny, mysterious, it is useful to master the technique of origami from fabric.

M
I didn't like working in this technique so much that I want to use it in clothes.

Attachment 1

The template is given on a scale of 1: 2. Seam allowances 0.7 cm.

Appendix 2

The template is given on a scale of 1: 2.

Used Books.

Galanova T.V. "Origami their fabrics." Technics. Receptions. Products. - Encyclopedia. - Moscow. AST - PRESS

"Gifts" Technique. Receptions. Products. - Encyclopedia.

http://serentex.blogspot.com/2006/05/orinuno-patchwork.html

http://fashiony.ru/page.php?id_n=114

2012-2013 academic year

The volumetric flower was created by Melanie.

You will need two rectangles of different colors.

They need to be folded right sides and sewn, leaving a gap in the seam to be turned out to the right side.

Wrap the corners so that the rectangle forms an octagon.

Pin the edges, but do not sew them together.

Fold the corners to the opposite side

Gently hook the corners with a thread, over the edge.

Sew the middle edge of the rectangle as well.

Fold the edges of the resulting squares.

And here is the resulting flower:

Phlox

To make a phlox flower, a pentagonal pattern is used, cut out two parts from dark and light fabrics. Sew two pieces together and iron them. Find the center point (it will lie at the intersection of the diagonals), mark it on both sides of each module using a contrasting colored pencil, crayon, remnant, etc.

Fold all corners of the module inward towards the center (fig. 1).

Move clockwise when folding. Tuck the edge of the last flap towards the end of the first flap. Sew the vertices of the corners to the center of the module (Fig. 2). Iron the edges of the workpiece.

Open the “pockets” and fold back to the “wrong side”, their tops 1 cm, so that the fabric of a different color becomes visible. Sew the resulting “petals” carefully to the edges of the workpiece (Fig. 3).

Using a needle and thread, connect the adjacent phlox “petals” (fig. 4).

Iron the product. Attach the flower to the base by sewing each petal on the wrong side.
Thumbnails of attached images

Anemone

1. Using a round origami template, cut one piece out of dark and light fabrics. Sew the module and iron it. Bend the workpiece slightly horizontally and vertically to determine its center.

Mark the center point on both sides of the module using a pencil, crayon, etc. Place the module light side up and place a small octagon template in the middle. Trace the outline of the template with a pencil, and then remove the template (Fig. 1).

2. Along the marked lines, fold the opposite segments towards the center of the workpiece (Fig. 2) and with force move your thumbnail along the folds. Using a needle and thread, sew the tops of the folded segments to the center of the module. The module should become square. Open the pockets completely in each corner (fig. 3).

3. Turn out the cut of the “pockets”, bending the tops by 0.5-1 cm beyond the edges of the module, and fix their position with several inconspicuous stitches (Fig. 4).

4. Attach the flower to the base by making neat stitches in four places from the wrong side (fig. 5). The origami anemone flower is ready.

Pion

The creation of an origami peony takes place in two stages: first, a corolla is made, and then a receptacle. They are cut out according to one pattern at one time, and then folded according to different patterns.

Using the pentagonal pattern, cut out two pieces for each dark and light fabric, sew two pieces and iron them. Find the center point (it will lie at the intersection of the diagonals), mark it on both sides of each module using a contrasting colored pencil, crayon, etc.

Peony corolla

Bend the sides of the workpiece towards the center by 3 cm (Fig. 1).

Fold the module counterclockwise. Bending the last, fifth side, bend the end of the first flap and put the end of the fifth under it (Fig. 2). Iron the folds.

Open the “pockets” at the corners of the module, fasten their bases with neat stitches. The joints are at the vertices of the central pentagon (Fig. 3).

Press down on the center of each pocket and flatten it (Fig. 4). Fix the new position of the “pockets” with pins. Press the rounded workpiece through the fabric.

Using a strong thread, pass a needle-forward seam through all layers of the fabric, leaving 0.7 cm from the edge of the workpiece (Fig. 5). Do not fasten the end of the thread. Remove the pins. Pulling the end of the thread, tighten the seam so that a circle with a diameter of 1-2 cm forms on the back of the workpiece.

Attach the end of the thread discreetly to the back of the module. If the resulting circle is too large, add another seam next to the first and tighten it as well. Turn the module over to the other side (fig. 6).

Bend the tops of the “pockets” to the assembled center of the module. Smooth the fold lines. Using inconspicuous stitches, passing the needle through all layers of the fabric, sew the tops of the “pockets” to the center of the workpiece (Fig. 7).

8. The peony rim is ready (fig. 8). As a rim, you can use not only the "front", but also the reverse, "seamy" side of the workpiece (Fig. 9), the central part of which is occupied by a pentagon.

Peony receptacle

Bend the corners of the second workpiece towards the center (fig. 10).

Sew the corners to the center of the workpiece with neat stitches (fig. 11).
Open the pockets and fold the edges 1 cm outward to reveal the fabric of a different color. Imperceptibly, using a needle and thread, secure the edges of the “petals” along the edges of the module (Fig. 12).

Assembling origami peony flower

Place the corolla in the center of the receptacle and secure it with a few stitches by sewing on the central part. The volumetric two-tiered peony flower is ready. Sew each corner of the receptacle to the product from the wrong side.

And one more master class by Arte e Artesanato (ARTEMELZA)

Cut mugs out of fabric and join together by sewing on a typewriter

make one side from colored fabric, the other from plain

slightly cut the middle in order to turn out our workpiece

In this workshop, we make origami 7 x 7 cm in finished form.

You will need:

Two pieces of fabric in different colors, measuring 18x18 cm
Compass
Paper
Scissors
Needle with thread
Safety pins

STEP 1

Making a template. Draw a circle with a radius of 7 cm (diameter 14 cm) on a sheet of paper with a compass. We mark the center. Draw a straight line through the center of the circle. This will be equity.
Cut out a circle along the contour. This is a ready-made template.

Fold the template in half along the shared line. Then again in half.

Now we lay out the template. Draw a line along the line of the perpendicular fold.

From the center along the perpendicular lines, mark points 2.8 cm long on the template.

Then, up to these points, the edges of the origami fabric blanks will be folded. There is no need to fold the template. The photo shows how the workpiece will be folded.

STEP 2

We make a blank. Take two pieces of prepared fabric. We put them on top of each other, face to face. We pin the template with pins to the blanks along the share.

I trace around the pattern to make it easier to sew and to have an even circle. We draw a 1 cm allowance on the workpiece.

Chipping off the template. We cut the blanks with pins. We mark on the contour of the workpiece a distance of approx. 5 cm (hereinafter "segment"). We put labels. Do not grind this section. Through it we will turn out the workpiece.

STEP 3

We work with a blank. We cut out the workpiece. And we grind in a circle from mark to mark, securing the edges and leaving a segment. I grind the workpieces twice with a small stitch width, so it turns out more reliable and a circle of the correct shape.

Little secret! For convenience, I sew the section that we left unstitched with stitches of the maximum width, do not fasten the edges and leave the "tails" of the thread.

We cut off the allowances to a width of 5 mm. We make gently not deep notches in a circle, except for our segment.
Attention! Do not cut off the allowance on the segment.

Iron the workpiece. Smooth the allowances in different directions on the section. For the left "tails" pull out the threads holding the segment together.

Unscrew the workpiece. Sew open section with blind stitches. Iron. The workpiece is ready.

STEP 4

Making origami. On either side of the workpiece, along the share, we impose a template and with a pin mark the center and four points at a distance of 2.8 cm from the center (see photo STEP 1, “this is how we will fold the workpiece”). We remove the template.

We begin to fold origami, bending the edges from the four sides of the circle to the center to the designated points. We fix the fold with pins. We iron it. It turned out to be a square.

We turn the square over to the back side and bend the corners to the center, cleaving with pins. We iron it.

We remove the pins. Sew the center corners with invisible stitches.

Origami Primula is ready.

You can decorate origami in the center with a bead, button, etc.

STEP 5

We sew origami to the product. I sew on a typewriter, like this:
Along the central corners, 1-2 cm long.

At the outer corners, 1-2 cm long.

The threads must be matched to the color.

How you can use origami in products, a few examples:

You can make origami in different sizes, from fabrics of different patterns, colors and textures. In general, as your imagination tells.
Each path starts with one, from the first step ... Good luck!

Master Class

"Origami from fabric"

Technology teacher MBOU SOSH №1

Velizhanskaya V.V.

Needlework is an amazing kind of creativity,

allowing you to create a masterpiece in a short time.

Go for it, create and you will get the true

pleasure from your work.

Goals and objectives:

Get to know the viewdecorative and applied arts- technique"Origami from fabric"and learn how to perform work in this technique.

Transfer of teaching experience to the participants of the master - class of "innovative products" obtained as a result of creative activities.

To create conditions for professional self-improvement, the formation of an individual style of the teacher's creative activity.

visual range : presentation materials, work samples, flow charts for the sequential production of modules.

materials and equipment : drawing tools, cardboard, fabric, threads, tools and accessories for manual sewing, sewing machine, iron.

Lesson plan

Introductory part

Greeting . Wish you success in creativity.

The principle of the master class : “I know how to do it. I will teach you. "

Presentation of the topic of the lesson (Slide №2). Various techniques and methods in arts and crafts help the teacher to comprehensively develop the personality of the child, teach him to express his own "I". The form of interaction is cooperation.

2. Main demo part . Presentation.

Origami - the Japanese art of folding paper or fabric figures, inspiring fashion designers to experiment with draperies and folds in their collections.

Everyone has heard about origami - the ancient art of folding paper figures. However, few people know that the fabric is also great for ancient techniques. Of course, it is necessary to master some techniques and subtleties when folding figures from material. Having received the necessary skills, you will be able to independently make original products - from a theatrical handbag to a panel - which, with their exquisite and unique look, will surprise even the most skilled craftswomen.

And so, origami from fabric is a kind of ancient Japanese art that has become popular in recent years. For the sake of fairness, it must be said that the origins of this fascinating activity, which allows you to create real miracles from pieces of woven materials, competing with nature in fiction, can also be found here: just remember how the fabrics were intricately draped when sewing clothes in the old days. However, origami from fabric is a special phenomenon. It is much younger than orikat (origata) - a six-hundred-year-old custom of beautifully folding paper, passed down from generation to generation in the samurai class. But it has its own philosophy, its own rules, its own techniques - quite simple, and the results are simply amazing, with a minimum of time, effort and money.

The main terms of fabric origami are:

Template - basic patterns for origami fabric, which are geometric shapes.

Module - fabric blank, cut out using a template, sewn and ironed.

The foundation - a product to which parts made of modules - blanks are attached.

Materials and tools:

It is no coincidence that origami has long been attributed to magical properties. So, according to legend, paper cranes - tsuru - bring happiness and longevity. Origami magic also has the opposite effect: anxiety, fatigue, irritation - everything that darkens the mood recedes after making figures and flowers. Once upon a time, with the help of origami, they conducted "correspondence": they confessed their love, expressed respect, confirmed friendly feelings, etc. Each fold of origami carried its own meaning.

Materials, used for the manufacture of products using the origami technique, these are fabrics intended for modules, that is, blanks, and base products that they want to decorate with these colors. Fabrics can be very different, but in order for their choice to be successful, you should know some subtleties.

For the manufacture of modules - contrasting fabrics are needed, of the same thickness, density, keeping their shape well and not crumbling. Based on this, choose from cotton, blended, silk and fine wool materials.

Almost any materials are suitable for sewing the base, even drape. The main thing is that they are in harmony in color and texture with the decor fabrics.

The fabrics are cut, the blanks-modules are sewn - it seems to be beautiful, but at the same time something is missing. Additional materials will help to place the necessary accents, to complete the work, to competently decorate the product.

What can be used as additional materials? Anything that you find worthy of attention: beads, beads, rhinestones, braid, bird feathers, ribbons, cords, tassels, etc.

Practical work

Using the instructional cards, carry out the proposed modules in the "fabric origami" technique.

Instructional card number 1

Making a base module

№ p / p

Technological operations

Picture

Tools and devices, materials

Make templates

Drawing tools, scissors, cardboard

Prepare the fabric. Cut out the parts for the manufacture of the module.

Ruler, tailor's chalk, scissors, iron, fabric scraps.

Hand stitch with needle-forward seam 5-7 mm apart on each large circle.

Scissors, handicraft needles, threads, cut details.

In the center of the large circle, place a smaller round template for ironing and pull the fabric by the ends of the threads.

Smaller template, round cut detail.

Remove the template after ironing. Do not bend the allowance, leave the thread in the part

Pattern, cut detail

On the seamy side, in the center, place the insulation and a piece of colored fabric.

Details of cut and sentipon.

Fasten the protruding parts of the circle with pins, bending around the cuts of the square, sweep.

Details of a cut, sentipon, pins.

Machine stitch on folded edges

Sewing machine, scissors, module detail.

Lay out the details according to the scheme.

Basis details.

Instructional card No. 2

Manufacturing a triangular module

Technological operation

Prepare template

Cut out two parts, from a different color of fabric and overstitch, leave space to turn out

Turn out, iron

Wrap the corners to the center of the triangle and secure with thread

Fold the corners to the center of the triangle and fasten

Lead the thread to the back of the module

Tuck the sides of the module to the center of the hexagon and fix in the center

Instructional card No. 3

"Butterfly"

Cut out the details of module 2. Stitch, leaving room for

eversion

Turn out, iron it out 4. Stitch, stepping back 1.5-2 mm

5. Bend in half, then again

6. Unfold corners and pin

7. Turn inside corners

8. Wrap the wings, secure with pins

9. Turn over, fold the abdomen and secure with a thread

10. Decorate with beads, rhinestones, etc.

4. Summing up

Demonstration of completed works, discussion.

Sources used:

Galanova T.V. “Origami from fabric. Encyclopedia. Technics. Receptions. Products ". OOO Ast-press skd.

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surprise your family and friends, then learn more about the amazing technique of furoshiki. It is she who will help you learn how to pack gifts in an unusual way and make very beautiful bags from an ordinary piece of fabric.

The very word "furoshiki" came to us from Japan and is translated as a bath rug, it also means a square piece of fabric, or the art of folding or tying it.
Initially, it was the Japanese who used furoshiki to carry their belongings. It was a thin rug in which things were wrapped when going to the bathhouse.

Furoshiki - origami from fabric

And the art of furoshiki is possible characterize like origami, only made of fabric, not paper.
In fact, anything can be done from a square piece of fabric, its convenience lies in the fact that the product perfectly takes the shape of what is wrapped in it

.
It is very important to choose the right fabric. Now all the furoshiki are made from thin, light fabrics, cotton, silk, wool, flax are suitable.
Depending on the purpose for which furoshiki are used, the colors are selected. If this is a gift wrapping, the fabrics can be more colorful and contrasting, if a bag is needed to carry things, it can be matched to a certain item of clothing, if furoshiki is used to store things, it is better to give preference to calm tones, or colors suitable for the interior.

Furoshiki is convenient

The opinion that furoshiki is not practical is erroneous. A regular square piece of fabric can help with transportation bulky items, as well as purchases from the supermarket. Gifts wrapped not in paper, but in a pleasant soft fabric, will look more attractive and expressive, and most importantly, it is very difficult to guess what is hidden inside the furoshiki.

If you just need to save items that are not in use, again this technique can help, ordinary books, beautifully wrapped, will look more advantageous than simply stacked. And it can be not only books, an unusually wrapped umbrella, clothes or a soft toy will add authenticity to the interior. The main thing is not to confuse where what lies!
The Japanese even pack sweets in furoshiki, each candy in its own small package.
Basically, fans of unusual things can make wraps or carriers from fabric for anything, just need experiment and not be afraid to surprise yourself and others.
In any case, a product made using the furoshiki technique will be unique, and most importantly, it is completely ecological.