Making a wig from your own hair. Wig making technology - training

A women's wig for everyday wear requires individual design and craftsmanship, especially if it is made from cotton fabrics and is intended to hide imperfections in the scalp.
Careful measurement of the shape of the customer's head allows with sufficient accuracy to build the base of the wig - a monture, to determine its shape and is of decisive importance for the high-quality production of an individual wig.
At least eight basic anatomical measurements of the customer's head are required to create a baseline. Measurements are made with an ordinary tailor's centimeter, and the results are recorded in a special card.
The measure is taken as follows:
from the center of the forehead around the head through the temporal corners and under the occipital protuberance (head volume);
from the beginning of hair growth on the forehead, through the top of the head to the end of hair growth on the back of the head (wig depth);
from one ear to the other through the crown of the head along the hairline;
from one temple to another through the crown;
from one temple to another through the occipital protuberance;
from one temple to another across the forehead (forehead size);
from one ear to the other through the back of the head along the horizontal hairline (the width of the back of the head at the neck);
from one corner of the neck to the other according to hair growth.
All measurements must be made to the nearest 0.1 cm.
Based on the data obtained, you can start building the montage.
First, a head-shape is selected that corresponds to the measurements obtained. After that, a central line is drawn on the form symmetrically from the forehead to the neck, from which all the points of the measurements are then found. The points are connected with lines with a soft black pencil, as a result of which a drawing-contour of the future montage is obtained.
After completing the preparatory work, they begin to build the montage. To do this, according to the drawing, a special braid is stuffed with pins, previously moistened with water. The braid is stuffed according to the drawing from the corner of the neck to the next corner around the circumference of the head, then the temples and the forehead line are stuffed, then the contour is tightened from one ear to the other through the crown and, finally, the braid is fixed for parting. Pull the braid tight so that it does not gather in folds, in rounded places the pins are driven in denser than in straight sections (Fig. 41).

At the same time, the form is kept between the knees; with the left hand they pull the braid, and the pins are stuffed with the right hand (Fig. 42). After covering, the tape is sewn with frequent stitches with threads of the same color as the tape.

Tulle for a daily wig is folded in two layers. The first layer of tulle is pulled from the middle of the forehead to the neck, nailed down with pins. Then they tighten it on the sides to the temples, beat in and lay folds-darts behind the ear, which give the shape of the monture. Next, the tulle is pulled out in the shape of the head and fixed with pins. First, darts are sewn with threads, then tulle with frequent stitches to the ribbon so that the stitches are not visible from the inside of the montage.
After fixing the first layer of tulle on the head, a special seal is prepared to stiffen the temporal and cervical parts of the monture. For this purpose, springs of the appropriate size can also be used. A total of seven springs are required for the wig: two at the temples, one at the front on the frontal ledge and one at the neck areas at the corners. For springs, using a bar, the ends are smoothed and rounded. Then theatrical varnish is applied to the ends of the springs and wrapped with cotton wool or adhesive plaster, after which they are trimmed with braid. The springs prepared in this way are sewn to the mount.
After that, the first layer of tulle is cut to half the width of the braid, and the extra pins are pulled out.
The second layer of tulle is pulled in the same way as the first, sewn to the braid, then cut 1 cm from the edge of the braid, folded and hemmed.
Next, a piece of gas sieve moistened with water is applied to the braid of the montura at the parting point, folded and sewn. In the place of the parting, the gas sieve is sewn onto the frontal ledge or next to it, depending on the shape of the hairstyle.
The finished montage is removed from the mold and tried on on the customer's head.
After trying on in the montage, the necessary corrections are made and then proceed to the tambouring.
Tambouring hair on a wig is the most complex and demanding operation that requires a lot of technical experience. The hair is attached to the tulle of the monture using a special tambour hook, with which several hairs are captured, pulled through the tulle and tied in a loop. When tambouring a wig, the hair is pulled only behind the top layer of tulle, leaving the second layer free, which is the lining.
Tambouring of the wig begins from the neck part of the monture (in each tulle cell to the volumetric tape). Above, to the back of the head, it is necessary to tambour through one cell in a checkerboard pattern with the middle hook No. 3.
The whiskey and the front of the wig are tamboured only into each mesh of the tulle.
Tambour the wig in the direction of hair growth. The parting of the wig is tamboured on a gas sieve with the thinnest hook (1-2 hairs) and very densely towards the face. The parting ends with a finsion (crown), which is tamboured to the midpoint.
After tambouring, the wig is removed from the mold, turned inside out, nailed to the mold again and the front edge of the braid is tamped in 3-4 rows so that the edge of the wig is not visible.
After tambouring, a wig made of natural hair is turned over on the head again, slightly moistened and ironed.
After the end of the tambouring of the hair, the wig, which has not been removed from the form, is transferred to the final finishing and shaping of the hairstyle. Depending on the hairstyle, the wig is cut with scissors and a thinning razor, and then curled and styled.
When a wig is made from natural hair, it is usually wrapped in curlers and then styled in the usual way.
If necessary, you can use a curling iron for curling.
To construct a montage of an individual men's wig, the same materials and tools are used as for a montage of a woman's wig. Measurements are taken in the same way. The mounting of the monture is performed in the same sequence, but taking into account the specifics of the male hairstyle: instead of the braid on the crown and for parting, they pull the braid for the oplante (parietal part of the monture).
From the frontal protrusion through the vertex to the back of the head, 16-18 and 12-16 cm are measured along the width of the parietal part of the montura. After covering and trimming the braid, the first layer of tulle is pulled over the entire montage and sewn to the inner parts of the ribbon.
Prepared springs (seven pieces) are sewn two at the temples, one at the front at the frontal ledge and two at the corners on the neck of the monture. The second layer of tulle is pulled over the occipital and temporal parts of the monture and sewn to the inside of the braid. The tulle is trimmed from the outside of the braid, stepping back from the edge about 0.5 cm. Then the edges of the tulle are folded over and sewn to the braid. The gas sieve is moistened with water and pulled over the neck of the mount, after which the gas sieve is sewn to the inner part of the braid, stepping back from the outer edge of 0.5 cm, trimmed, folded and hemmed. A gas sieve, pre-moistened with water, is pulled on the opplant and the temporal part of the montur, then sewn to the inner part of the braid. From the outside of the braid, the gas sieve is cut, folded and hemmed. As a result of the operations performed, the man's wig montage is ready for tambouring.
Tambouring a man's wig should often be in the direction of hair growth, without crocheting the lower layer of material. Tambouring is started from the lower edge of the montur, which fits the neck, up to the crown. Then the temporal parts of the montur are tamboured, and then the front part of the montur and part of the montur from the oplante to the crown of the head are sequentially tamboured. The crown is tamboured helically towards the center. The seamy part of the wig is also tamboured along the edge of the entire montage in 3-4 rows. The wig is designed in the same way as the patch.

Everyone knows that wigs are divided into synthetic and natural.
Natural wigs made from real human hair. Sometimes they add animal hair - Angora and Tibetan goats, Tibetan yaks, camels. The most prized Angora wool tiftin. Its length reaches thirty cm; it is very soft and silky. In natural wigs, you can find hair from a horse mane or tail, as well as hemp or flax fibers. But most of the raw materials are still human hair.

For production of synthetic wigs use acrylic, vinyl, kanekalon (which contains algae).

A natural wig looks much more natural. Their owners have the opportunity to behave in the same way as if it was their real hair - to dye the wig completely or in separate strands, curl curls and collect hair in a hairstyle.

The wig should be perfectly "fitted" to the shape of the client's head. Therefore, a wig designed for everyday wear is best ordered individually. Such models take into account the head circumference, the distance between the temples and other dimensions. Making wigs to order is a very promising business idea.

But the hair has to be attached to some kind of backing. This basis can also be different. For example, monophelomene is a material very similar to real human skin. Or an elastic mesh with tiny meshes. Hair on such bases is attached manually. This is a very time consuming and time consuming process that requires incredible care.

Handmade Wig Making Business will never run out of clients.

Machine work, manual work or a combination of these two technologies (such wigs are called combined) - these are the three main directions in the production of wigs. They all have their own specifics.

Before developing a business plan, you should decide whether you will specialize in one direction or your project involves the use of different technologies.
Machine-made wigs usually mimic short haircuts. Tresses are used for their manufacture, which, in turn, are also made with the help of machines.

What are weft? These are tufts of braided hair. One tress contains from ten to twenty-five hairs. The smaller the number, the better the tress looks.

Before starting the weaving process, the hair is dyed in the desired color and shade. Very often, different colors are mixed, which gives the finished wig a great resemblance to natural hair, which was dyed in a fashion salon. Then the wefts are sewn onto the base according to the pattern corresponding to the selected wig silhouette.

Handicraft is carried out using several hooks of different sizes. The hair is woven into the base and attached to it with a special knot. The same method is used to create theatrical wigs. Handcrafted wigs can mimic bald patches, individual gray strands, and even a bald patch.

Video - how to make human hair wigs by hand:

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The ability to make wigs came to us from the time when tow and animal hair served as the material for the first wigs. Since then, master wigs have never stopped polishing their skills in creating luxurious wigs. As a result of this, the art of comprehension reached an unprecedented heyday during the 18-19 centuries, when wigs were worn by any European, regardless of their social status.

Today, making wigs is equated with art, behind the outer gloss of which is the painstaking, jewelry work of master masters who manually create their masterpieces.

Materials for wigs

The material for creating quality wigs is natural or artificial hair. In the manufacture of a beautiful model of a natural wig, natural curls of European and oriental beauties are used. Long before the creation of the product, living strands go through several stages of processing, as a result of which the final shade of the material can differ significantly from its original color.

Artificial hair is a fiber that comes in a variety of qualities and varieties. The most expensive and high quality non-natural fiber can easily be mistaken for natural hair. It is based on kanekalon - organic fibers based on algae, which are not inferior in physical properties to natural hair. The cheapest analogue of artificial fibers is synthetics, acrylic and polyamide, used in the manufacture of wigs for carnivals, shows and performances.

The quality of a wig depends on its base, which can be made from high and low quality material. The first type is monofilament - a silicone fine mesh with an imitation of the scalp, into which natural or artificial hair is woven. Other materials of lower quality and cheaper are mesh and silk.

Posing tool

The main tool for making wigs is a tressbank - a device for creating wefts, at the base of which there are two stands for pulling threads, fixed on a table. Tresses are hair, hand-woven on threads, which are then sewn onto a wig montage.

Another necessary device for compilers is a karda - a wooden rectangular or square plate with frequent teeth, upholstered in tin. The teeth in the plate are arranged in several rows, the distance between the teeth varies - from five to twelve millimeters, depending on their location in the row. The length of the teeth varies from four to six centimeters. The card is also attached to the work table and is used for initial processing, uniform tension of hair between the teeth, mixing and combing.

The painstaking work of the masters of the apprenticeship business also involves the use of all kinds of hand tools: combs and combs with frequent teeth, hooks of various thicknesses, designed to tie hair and threads. The work of the master in most cases is done by hand, and the complexity of the process is not inferior to jewelry.

Hair of at least twenty centimeters in length is suitable for the production of high-quality apparel products. But before the natural or artificial material gets on the table to the porter, it goes through several stages of preliminary processing: sorting, washing, processing with a special composition and drying.

One of the ways to make wigs is tambour - the process of weaving each hair into a monofilament, which serves as a wig montage. With the help of special hooks, a single hair is captured and then tied to each cell of the silicone mesh. The laborious and complex process of creating a tambour wig can take up to two months.

We have the highest level of technical equipment, we use hypoallergenic materials. The masters with artistic taste and significant experience take into account the individual characteristics of the appearance, the wishes of the customers. The online catalog contains products of current shapes, of various lengths and complexity on a tissue-weft basis, with a monofilament insert. We offer our clients products of the most natural look. It is possible to make a wig from your own hair.

Custom made human hair wig: reliability, safety, reasonable prices

Models made on a light mesh are the most comfortable. The scalp breathes best in them. Soft and thin, they do not cause discomfort, are invisible to others. Experts recommend this option for permanent wear. Darling Hair Atelier can offer you a custom wig with a mono insert. Created from the finest material, this base mimics the scalp. Each hair is woven into it by hand. It is distinguished by lightness, good air permeability (in comparison with models on a traditional fabric-weft basis).