Graphology is a psychological analysis of handwriting. The character of a person by handwriting: methods of determination

09.07.2019

№1 and №2 ... Typical handwriting of teenage girls. The tendency to lean towards the left, combined with roundness, coherence and stylization. Small variation in height, focus on the center of the forms. The prevalence of inward movements. Shape control through loss of speed.

Authors of handwriting- personality focused on themselves and their subjective feelings. They are inherent in decision-making and behavior - in accordance with feelings rather than rationality. Also - a feeling of protest, including - parental influence. From the outside, such girls seem stubborn or selfish, while in reality, this is just their attempt to achieve autonomy, independence, adulthood and dissociate themselves from the care and influence of parents who still perceive their daughter as a child. Also - concern about their image, appearance, status among their peers is characteristic. Despite the demonstration of protest and independence, girls are actually very dependent and sensitive to the opinions of others about them, their condemnation, they desperately need the approval of adults.

In handwriting number 2 - the described temporary adolescent phenomena are already beginning to take place and the person looks more "mature", although the chronological age of the author of this handwriting is several years lower than that of the author of handwriting number 1.

№3. Handwriting reveals an almost total control over its attention. Unproductive stylization - the speed and spontaneity of writing suffers. Separation. Clear organization of text on the sheet. Uneven lines. "Forced" right tilt. Narrow "loops", break in "b".

Handwriting author- hides behind the "mask". This is an extremely careful and calculating person. Such a "mask" is that he is trying to create the impression of naivety and openness - although in fact he observes intensely and may suddenly begin to manipulate a person or use information collected about him (using his trust first). This person is formal, formal in nature, bureaucratic if given the opportunity to show it. Stubborn, dominated by stereotypes and does not change his mind. Thorough, picky about details and details.

№4. The handwriting is narrow - squeezed, right-leaning, the shape of the letters is angular. Connected but short endings. Falling lines. The stroke of the lines, however, is also uneven. Pressure - medium to strong. The absence of right "margins", the text is "solid mass".

Handwriting author- a young woman who is trying with all her might to "stay afloat", but it seems that she is not very successful. She does not live for pleasure, not for her own sake - but for the sake of one moral duty, the concepts "must", "must", "must". This is a person who is extremely critical of himself, ready for self-sacrifice. You can be sure that in her life there was more than one person (man) who simply took advantage of her sacrifice. Until she relaxes, learns not only to give, but also to receive, to appreciate herself and not feel guilty where she does not exist, until she sets the same high bar of demands to the people around her that she sets only herself - the described scenario will be repeated and beyond.

№5. Total motor control. Absolute adherence to the standard of writing. Extreme stylization and extremely slow handwriting speed. The narrowness of the "loops" (see the letter "e" in the words "I wish", "you", etc.). Brokenness of the bottom "p" in "March", artificially overcome distances from "y" to "learn", "y" to "your" and other signs.

Handwriting author- certainly not a schoolboy "Vova". This is a grown woman, specially trained to write in "capital" handwriting. Despite this, nevertheless, here some properties of the personality of the writer were manifested. This is how a non-spontaneous, tense person writes (as evidenced by some failures - the hand cannot withstand great muscle tension and concentration and it seems that it is about to "tremble"). Only a person who is internally afraid or not daring to express his individuality, to be “not like everyone else”, resigned to a routine and monotonous existence, is able to suppress everything personal so much and so “flawlessly” portray a standard. Content is sacrificed to an empty form. In addition, on a deeper look, this self-suppression is clearly visible in the tightness of some letters and lines.

№6 ... A high degree of control in handwriting. Angularity. The narrowness of the form. Acceptable line and word spacing. Partial connectedness. Extra sharpness in uppercase and uppercase "b". Creeping up the letters "n". "Raising" the second paragraph.

Handwriting author- an emotional person who tries to control any manifestations of his emotions, as well as all his words and actions. Restrained. High self-criticism, high moral and ethical level. Despite the fact that he does not show this, he is still very proud and loves respect and recognition. Often stubborn. I am convinced of the correctness of my positions and my objectivity (which speaks of subjectivity). Deliberately demonstrates his affection for people.

№7 ... Maximum filling of the sheet (no margins on all 4 sides). The type of "total mass". Separate spelling. The form is rather printed, very angular. Poor orientation and positioning on the sheet. Lack of space between lines, sometimes between words. Instability. Roughness of line flow. Variability of sizes, gaps, shapes, fluctuations in inclination.

Handwriting author- a man, a dominant personality. Rough sensuality is inherent in him. Likes to feel like a winner. He does not like to stand on ceremony, he gets down to business immediately. High pain barrier. Extroverted. She speaks loudly and a lot, interrupting the interlocutor. Poorly oriented in everyday life situations, misses little things. He lives "here and now", impatient and impetuous. Has excellent hands - can tinker, build, is disposed to technique or physical effort.

Experiencing mood swings, subjective. It is difficult to choose the right distance in interpersonal communication.

№8. Unusual handwriting. Left tilt. No nuances of color and pressure. Poor readability. Strong pressure. Uneven lines. The middle zone of letters stretches and takes place in the upper one - contrary to the standard (see "n", "p", "b"). At the same time - shortened processes "p" and triangular loops "y" and "d". Separation. Break of the upper zone - "b", "t".

Handwriting author- an individualist and emphasizes this in every possible way. Possesses great conceit, a sense of superiority. Extremely sensitive to questions of his status, authority and wealth. Thick-skinned and insensitive to others. He tries to look smarter than he is and give the impression of a highly intelligent person, but this is only an appearance. Intimate relationship problems. Detached, sincere relationships are unfamiliar to him. He is cunning, manipulative, uses his intuition for this. Unreliable.

№9. The handwriting is defiantly non-standard. Legal tendency, narrowness, simplicity, low readability. "Climbing" of the lower zone onto someone else's territory - adjacent lines. Fluctuations in shape, inclination, dimensions, distances. Pulse intensity, sharp angularity. "Crawling out" of the middle zone to the place of the upper one ("z", "d"), almost complete absence of fields. A sharp break in the upper zone - "b".

Handwriting author- a man whose main personality motives are internal protest, anger, chronic resentment and a gloomy perception of life. Obstinate rejection of authorities, impulsiveness. There is always someone or something as a reason for dissatisfaction. Emotional constriction caused in part by overwhelming parenting on the part of the writing father. A person is possessed and accompanied through life by a feeling of “victim”, offended and offended. It is characterized by rigidity and lack of spiritual intimacy in relationships.

№10. The handwriting is divided, skater, stylized. Oscillating straight slope. Movement curling inward (loop and tail “b” returning to the center, letter “c”, “o”, etc.). Unproductive from the point of view of writing, elements and excesses (see "d", "y", "z", "y", etc.). At the same time - lines losing their straightness, uneven distances between them. The lower elements of the letters "climb" into the territory of the following lines. The gaps between words are also uneven, with a tendency to decrease. The fullness of the space as a whole.

The author of the handwriting - the representative of the classic "mask" that has become "second nature". This woman is inherent in the belief that form, impression, image are more important than the true essence. She is focused on herself and her experiences, like a "snail" coiled in its shell, pessimistic.

"Sagging" before difficulties, fear for the future. Criticality, non-spontaneity, emotional perception, subjectivity of judgments.

The writing is characterized by demonstrative, artificial sacrifice, calculation, materiality. This is a kind of compensation, a replacement for the need for spiritual closeness and warmth, not received in the family in childhood and absent in adulthood, but still so urgently desired. For all this, such a "mask" is needed.

№11 ... Autograph. Maximum speed combined with complete disregard for shape. Lightning-fast impulse of movement. Maximum deviation from the standard. Inharmonious location. Angularity with sharpness. Very large size.

Autograph author- "genius and devil" at the same time. He combines a rare sharpness of mind and a rare impulsiveness. Instant perception and imbalance. Authoritarianism to megalomania and manipulativeness. Interests before principles. Aggression is probably not just verbal. Lack of any skills of mutually respectful communication with people around, if such an appearance takes place, then this is exclusively based on personal interests and benefits.

Rudeness, vulgarity, lack of warmth or sincerity.

The likelihood of harsh, if not cruel, attitude, humiliation of dignity in childhood, from members of their own family or close environment.

№12. The autograph is uneven, unstable. Far "acceleration", sweepingness. Closed on top "arcades", partial illegibility, coherence. "Tapered" gradual decrease from beginning to end. Strongly pronounced law-inclination combined with the narrowness of the letters. Small distance between words. The underlining lines, on which the letters seem to be based, have an arched and sharply cut shape.

Autograph author- a woman trying to give the impression of lightness, emotionality and capricious femininity, in fact, is a very suffering and unbalanced person, bruised and insecure, with carefully hidden low self-esteem, mood swings, huge fears and nervous tension. An acute need for close, mutual relationships and even a painful dependence on someone is visible. Painfully sacrificial, ready for humiliation for the sake of acceptance. The writer can hardly keep herself, she constantly looks back at her past, her roots, home. Something makes her be very secretive, she keeps a secret in herself. And he is afraid, very afraid of the future.

№13. Autograph rising sharply upward. There are many exaggerated demonstrative elements. If they are "removed" - a rather small, rounded, winding, inconspicuous handwriting remains.

He estimates himself somewhat underestimated. Difficulty sharing intimate and personal. Vulnerability, secrecy and some inner tightness. Perhaps a critical and demanding upbringing.

Personal acceptance and understanding is extremely important, the discomfort in close communication with a large number of people, really gets closer only to the most faithful and trusted people who, in her opinion, “cannot” offend her. Use of a "mask-image" that protects personal vulnerability.

Graphology is a science that allows, thanks to the analysis of handwriting, to learn a lot of information about a person. Another knowledge of graphology can be used like a lie detector to understand whether a person is telling the truth or not.

Handwriting analysis with examples in graphology

Thanks to numerous studies and generalization of information, specialists have managed to identify the most common handwriting.

Handwriting option No. 1 and No. 2

Such handwriting is most often found in adolescent girls. Such people in life are focused on themselves and on their feelings. They are stubborn and selfish, but this is mainly due to the desire to achieve independence. The authors of such handwriting also worry about their appearance and image.

Handwriting option no. 3

In graphology, the analysis of this handwriting reveals that its author often hides behind "masks" in life. Even such people are of the nature of prudence, so they successfully manipulate others, and unnoticed by the victims themselves. The authors of this style live in accordance with stereotypes.

Handwriting option No. 4

This handwriting is mainly inherent in young women. They live with a constant sense of duty. The owners of such a handwriting are characterized by extreme criticism of themselves, and in any situation they are ready to sacrifice themselves.

Handwriting option No. 5

Graphological analysis of handwriting suggests that it was written by an adult woman. Such people experience and do not know how to express their own individuality. The owner of this handwriting is tense and incapable of spontaneous decisions.

Handwriting option No. 6

Analysis of the handwriting indicates that this was written by an emotional person who tries to always keep his own emotions under control. He is characterized by increased restraint and self-criticism. For the owner of this handwriting, respect and recognition of others is very important.

Handwriting option No. 7

A specialist in graphology assures that the author of the handwriting is a man who loves to dominate in life. Analysis of character by handwriting allows you to find out that the author prefers to be a winner in life. Such people are poorly oriented in everyday life and like to talk a lot, while, without hesitation, they interrupt the interlocutor. A man does not think about the future, what is important for him is what is happening “here and now,” and he is also characterized by mood swings.

Handwriting option no. 8

An unusual handwriting that indicates that its author is an individualist. He is characterized by a sense of superiority. In relations with other people, the author of the handwriting shows insensitivity. He often plays a role and tries to look smarter in the eyes of others.

Time does not stand still. Widespread computerization has created the conditions under which we read texts written in standard fonts. But from this we are even more interested in the notes made by the hand of a person. Researchers delve deeper into the peculiarities of human psychology. Handwriting analysis is an important procedure in understanding human character.

D. Sarah's book "The Secret of Handwriting" reveals the picture of handwriting research undertaken in the United States, where, unlike European countries, graphology began to be used relatively recently. Many firms use the services of graphologists when hiring employees.

In the United States, the same work is being carried out that was carried out by graphologists at the beginning of the century: studying samples of a patient's writing obtained under hypnosis, studying age characteristics of handwriting, and detecting signs of handwriting associated with diseases. Handwriting analysis is actively used in practice - in career guidance work, in insurance companies, as well as in matters of the heart. The first works on graphology in the USA belong to Louis Rais and de Witt B. Lucas.

D. Sara writes that people often come and tell sad stories of their lives. They expect us to perform miracles and change the characters of people. This cannot be done with the help of graphology, the task of which is reduced only to analyzing the main features of handwriting in such a way that a person understands his abilities and is able to use them in the best possible way, tries to adapt his personality to the personalities of other people in order to gain the greatest benefit from any of the spheres of human relations: personal relationships, social, study, business life.

The handwriting analysis technique proposed in the book by D. Sara deserves attention. It's like this: the first thing to do is get a sample. The ideal handwriting sample should be on a large sheet of plain white paper, not lined and borderless. Do not copy anything from a book or newspaper to create a sample handwriting. It is better to invite the person to write what comes into his head and put his signature after the written text.

An experienced professional handwriting expert quickly picks up different variations of handwriting and correlates different signs, making accurate conclusions. It is advisable for a novice graphologist to exercise caution and be more attentive to many mutually exclusive signs before coming to a final decision.

“If the handwriting of a famous person is examined,” writes D. Sarah, “who lived in the past or is living in the present, a skeptic can say:“ But everyone knows him well. ”This is not the case, because the public is well aware only of the external manifestations of a famous person, his activity or what the press glorifying him writes about. The inner traits of his character remain unknown to everyone, and the analysis of his handwriting can shed light on some aspects of his personality that have remained unnoticed by public opinion and do not always correspond to the well-known portrait of the hero. villains in the theater or on the television screen can reveal that he has a soft, sensitive nature. And the handwriting of a cute ingenue can show aggressiveness and desire for domination. "

Each handwriting is individual for a graphologist. Its task is to point out the strengths and weaknesses of a person, manifested in handwriting.

The analysis of handwriting in the book by D. Sarah is carried out according to the characteristics described below.

Incline

The slope, as defined by D. Sarah, allows you to determine what rules a person - the mind or the heart.

Rice. 6.5. Handwriting tilt samples

A - a warm, friendly nature, openly expressing his feelings. This nature is not characterized by impulsiveness; rather, on the contrary, emotions are kept under control. In the nature of such people, a sincere craving for communication is felt, therefore they are capable of establishing good relations between people. In a state of love, they are not inclined to hide their feelings and want reciprocal love. They do not confine themselves to the framework of the family, enjoying social duties, they like to receive guests.

B - reflects great energy and enthusiasm in the perception of new ideas. Romantic impulses are hot, if they fall in love, then "head over heels" and "at first sight." They can be very hurt if the object of love pays attention not only to them. There are tendencies of jealousy and possessiveness in love. Loneliness is contraindicated. They need constant activity and meetings with different people, bright and interesting surroundings. Such a romantic and emotional nature needs to be constantly fueled by mutual admiration and, perhaps, flattery in moderate doses.

B - leaning back is a sign that the intellect is in control of emotions. The way to the heart of such people is through their head. These people are capable of love, but only if they receive permission from the mind. External manifestations of feelings are not typical, enthusiasm is restrained. Leaning back is typical for young people who wish to become adults and independent. But over time, the slope may change.

D - control over emotions is so strong that it can suppress feelings. People with this inclination of handwriting can be very emotional and at the same time restrained in expressing their feelings at times. There are tendencies towards secrecy here. They can give the impression of coldness and restraint, hiding a storm of emotions. It is difficult to understand such people, communicating with them, you need to be prepared for an emotional explosion. Let them take the initiative to figure out how to spark their interest and love.

D - vertical handwriting reflects the balance between mind and heart. Manners are restrained, there is no susceptibility to random movements of the mind, feelings are stable, everything is reasonably weighed. When they fall in love, one should not expect an overt expression of an emotional reaction. Attachments are not expressed vividly, feelings can be revealed through the manifestation of devotion, everyday signs of good relations. The joys and everyday concerns of home life are equally accepted, and with such a calmness that shows that the mind and heart get along in harmony and do not rebel against each other.

There are handwritings in which there is a combination of slopes. Sometimes they differ in the slope of the line, sometimes words or letters. This is usually typical for people who are fickle and picky about trifles. Sometimes these are original natures, very changeable, interesting, and sometimes showing indecision under new circumstances, meeting new people.

In all cases, when people are in close contact with each other and do not find an opportunity to harmonize relations, graphology can tell who is under the power of a hot heart, who is controlled by a cold head, and who keeps balance. By understanding their nature, people will be able to achieve the desired relationship.

Line

The peculiarities of writing lines are associated with characteristics such as optimism and pessimism.

Rice. 6.6. Line layout patterns

1. If the line goes up, it is a sign of optimism, presence of mind, faith and hope. People whose lines "fly" upward are quite ambitious, striving to move forward. They are adaptable and friendly to friends. People whose lines go up sharply are incorrigible optimists. Their judgments are often erroneous due to the fact that they walk on the ground with their heads lifted high and do not notice the real situation.

2. The line going down expresses pessimism, which prevents a person from pinning hopes on new ideas, igniting enthusiasm. Sometimes it is a mixture of caution and criticality. The sharper the line goes down, the more convinced the pessimist is the person. Sometimes this is a temporary condition. And the most vigorous person can temporarily experience depression. As soon as the life situation changes, the line rises up with surprising speed.

3. If words change position and jump up and down, we are dealing with changeable people who depend on the time, place, people around. They find it difficult to adapt to any job. Sometimes these are people of high position and very confident in themselves. Sometimes these are smart people who cannot even achieve what they were created for, it is the changeability that prevents them from doing this.

If the husband and wife have different slopes of the lines - down or up, then this is evidence of conflicts affecting children. Such conflicts undermine relationships between people, so they need correction.

Fields

There are two ways to determine if your partner's, client's wallet is tightly locked, or if it is open wide open. This can be seen from the spacing between words and lines, as well as the size of the fields.

Rice. 6.7. Fields design options

1. If there is almost no distance between words, and the lines almost creep on top of each other, this is a sign of thrift. The shorter the distance, the more frugal a person is. If at the same time the letters are also small, then this is a very frugal person.

2. Large spaces between words and lines reveal a person's generosity. The longer these distances, the more the tendency to waste increases.

Small letters indicate that a person is not inclined to spend on himself, but is generous in relation to others. Large letters speak of relaxedness. Those who write in large letters, but there is little space between words and lines, are most likely the soul of society, but at the same time they are tight-fisted. They spend lavishly where they are in plain sight.

If the letters are large, and the distances between words and lines are large, then a person's generosity knows no bounds.

The size of the margins is an additional indicator: wide margins on all sides of the sheet - left, right, bottom, top - indicate good taste, an instinctive craving for exquisite items for which a person is ready to spend money. This is also not only a sign of generosity, but also prudence, allowing you to acquire the most valuable things for money.

Wide margins on the left and right, in the absence of them at the bottom and top, are evidence of generosity without discretion. Wide margins on the left and narrow margins on the right are a manifestation of wasteful behavior that a person is trying to fight. But this struggle can "gain on a penny, lose a ruble", trying to compensate for large expenditures with petty economy.

Narrow margins on the left with wide ones on the right mean that a person is forcing himself to save, but he is not good at it. He may be dying to talk about the family's budget, but it is doubtful that his words are combined with deeds.

The even narrow margins on the left and right show frugality and prudence in shopping. If the entire sheet is occupied and there are no margins, this is a sign that a person is trying to squeeze the most out of his money. But sometimes these people do not always have correct ideas about values. Life should not be measured with money. Money is not an end, but a means that should be treated rationally.

Letter shape

1. Rounded letters show that we are dealing with a person who is inclined to cooperate, who is satisfied only if he works with other people, shares with them the joys and worries of family or work life, social or entrepreneurial activity. Such a person is not inclined to be persistent in affirming his views or plans. He waits for someone else to take the initiative before he clarifies his position himself. For such people, living alone is a real misfortune. Activities requiring aggressive pressure are contraindicated for them.

2. Angular letters indicate the spirit of competition, the desire for independence, a critical mind, the desire to draw up and implement their plans.

If in a rounded handwriting, angular ones appear among the capital letters, this means that a person with a soft character can "get into a pose" and temporarily assume an aggressive look.

The round handwriting, in which there are small angular letters, reveals a tendency to cooperation with a certain cunning and independence.

If the angular letters are written very large, then we can conclude that they were written by a person who was not inclined to self-assertion. He has no firm personal convictions, he is cautious and insecure, but refuses to cooperate.

Small, rounded letters are rare. This combination is inherent in people with a clear and careful mind, who perform the work with special care, have loyalty and the ability to cooperate.

The letters are large and angular with strong pressure, which speaks of an ambitious and assertive nature with a clear system of values, in accordance with which a person will not resort to compromises more often than necessary. He hates being subordinate in both business and personal relationships.

Very small and clear angular handwriting shows the mind of a specialist, a person who wants to do one thing or a couple of things perfectly, concentrating on them until the desired result is achieved. Such a person does not take anything for granted, but wants to get to the very basics, to analyze every idea presented.

Angular handwriting, characterized by unevenness, belongs to a person with great inner strength. He does not want to adhere to the usual routine, he is driven by emotions. His personality is full of vitality and often contradictory. Such a person has a developed sense of rivalry. Sometimes he does not know how to relax and at the same time he cannot concentrate on the goals he strives for.

A person who writes angularly is impatient with someone who writes in rounded letters. The slow adoption of new ideas is particularly annoying. A person who writes in rounded letters sometimes perceives with hostility the one who writes in angular letters, because of his intransigence and his desire to rule.

Thinking habits and many character traits of people who write round or angularly differ greatly from each other, it is difficult for them to establish harmony of relationships, conjugation of tastes, views, actions. Knowing these differences will help you achieve better understanding between people and build fruitful relationships.

3. "Garland" of the letters "u", "and", "w" characterizes people who love pleasure, comfort and luxury. However, it often happens that such a handwriting is characteristic of people who work by the sweat of their brow and do not know how or have almost no luxury goods. Nevertheless, the "garland" is an indicator of the desire for an easy life filled with pleasures. People with this handwriting have tact and charm that they know how to use. They enjoy socializing jobs that allow them to meet nice people. They are hospitable hosts and show exquisite taste in home furnishings and clothing choices.

Pressure

1. Light pressure, when the lines are woven like threads, gives out a nature that is sensitive to people and the environment. Such people are greatly influenced by other people, by everything they say and do. People whose handwriting is characterized by light pressure tend to idealize the world, have a delicate taste and a critical mind.

Despite the suggestibility and subtlety of nature, these people can take responsibility, exercise leadership and achieve good results. They can become successful traders, although they are not always happy to be assertive. In this case, they have to work with renewed vigor.

Rice. 6.9. Pressure options

These people are often called introverts.

2. Strong pressure reveals a determined and energetic nature that takes an interest in new surroundings and active people. People who use strong pressure when writing words manage to combine idealism with an interest in the material side of life, passion in matters of the heart. Shyness is not characteristic of them, but this does not prevent them from choosing activities related to contacts with people, not succumbing to being upset and disappointed, being knocked out of a rut. They do not consider the answer “no” to be final. Failure can only whip up their activity. They are extroverts.

3. Medium pressure is possessed by people who manage to combine excessive sensitivity and sufficiently expressed material interests. These people are easier to understand and more predictable.

The combination of light pressure with strong pressure indicates that self-control does not suppress a person, but, on the contrary, sometimes impatience and unexpected emotional outbursts appear.

It happens that a letter is written with light pressure, and the signature placed under it is strong. This suggests that a person has a sensitive nature, but from time to time demonstrates his ability to be tough and vice versa, if the entire text is written with strong pressure, and the signature is weak, then this is a person with a strong character who would like to seem soft.

Strong and clear pressure in the original spelling of capital letters indicates that a person's energy can be directed to creative or leadership activities. Such a person does not like to think and act on a small scale. The larger the scope of the enterprise, the more energetic its participation in it.

Strong pressure, giving the impression of dirty writing, is typical for people who have difficulty controlling their energy. Sedentary work is difficult for such people, since it is difficult for them to concentrate on particular details. They are often impatient and overreact to unsolicited advice.

Light pressure with even small letters indicates a person's discipline, a high level of moral development, sensitivity and emotionality.

If light pressure is combined with uneven writing of the line and illegible letters, then this means that the person is waiting for initiative from other people. These people are delicate and perceptive, and they worry for a long time about the hurt self-esteem, regardless of whether it really was hurt.

Strong, medium or weak pressure is a manifestation of a physical factor, and the force that is required with strong pressure is less pronounced than with medium and weak pressure. The variety and instability of pressure is evidence that a person is in the process of his physical growth, mental and spiritual development. The difference in pressure speaks of the contradictions between passion and endurance, optimism and pessimism, orientation towards the ideal and the material.

Letter sizes

Rice. 6.10. Letter size

1. Small letters denote the ability to concentrate, restraint.

2. Large letters are typical for independent people who do not want to be in a subordinate position.

3. Medium-sized letters are the most common and are not an independent indicator.

Small handwriting with large capital letters is a testament to personal courage and pride.

Small handwriting with small capital letters is characteristic of a person who does not have the ability to stand up for himself because of excessive modesty, which turns from virtue to disadvantage.

If the small handwriting with tightly written tiny letters is hard to read, then we are dealing with a person of exceptional secrecy. Secrecy does not give an opportunity to develop and manifest a number of wonderful qualities inherent in this person. His loneliness tendency can be mistaken for a lack of friendliness.

Large handwriting occurs in people who want to see a lot and be in the field of vision of others, sociable, sometimes reacting aggressively to a situation when they are not noticed.

Large handwriting with original lettering indicates creative thinking, a tendency to dramatize and a lack of inclination to pay attention to detail. This handwriting is often seen by qualified specialists who strive to translate their ideas into concrete deeds and are not inclined to secrecy and isolation.

Large graceful capital letters are characteristic of people who are sociable and romantic, capable of commanding and attracting people to themselves. Beautiful and unusually large capital letters are characteristic of persons who feel their greatness. Such handwriting can be seen among representatives of royal families.

Personality features reflected in handwriting

It turns out that the dots above the letter "e" are of great importance in the analysis of handwriting (Fig. 6.11). There are several options for their writing, among which we will consider the following:

Rice. 6.11. Design of the letter "ё"

1) Wavy lines, semicircles, crescents or other funny shapes are evidence of a sense of humor. The more unusual the image of the dots, the sharper the sense of humor, as well as the ability to parody other people.

2) If the points are small and not clearly expressed, the sense of humor is also rather restrained. The carefulness of the dots is indicative of a person's prudence.

3) Carefully put points speak about a person who is inclined to insist on his own.

4) Heavy points are evidence of stubbornness.

5) Dots in the form of a tent indicate that a person has a special mind and subtle humor. His sense of humor softens the overly criticality of his remarks.

6) The dots that soar high above the letter are evidence of a vivid imagination.

7) Dots in the form of circles usually indicate an artistic nature.

The presence of knots and hooks indicates a tendency towards stubbornness. The appearance of hooks at the end of a word is characteristic of people who first accept new ideas and then offer them vigorous resistance. If hooks appear at the beginning and at the end of a word, then we are dealing with a person who may not even listen to another person. With such people, you should behave carefully and not put forward new plans and proposals without prior preparation.

Modern or traditional ideas(Fig. 6.13) are associated with the brevity of the handwriting and the absence of strokes.

1) The use of a stroke at the beginning of a letter is a sign of the traditional mind.

2) If the initial stroke is missing, then usually such a person has no doubts about the need for new ideas.

3) The final touches are a tendency towards tradition.

4) The absence of initial and final touches is a decisive break with tradition.

5) A long finishing touch indicates self-confidence. Combined with angular letters, a long stroke is a sign of a strong character.

6) A heavy and dull finishing touch is an indicator of an imperious character.

7) A short, breaking off stroke with a slight pressure is an indicator of sincerity and gentleness in relations with people.

8) Letters in the style of the last century are found by people of a romantic warehouse, striving for sophistication and traditional style.

9) Letters written in a modern style - a gravitation towards the "modern" style. Using block letters instead of writing means moving towards new perspectives.

Rice. 6.13. Laconic handwriting and the presence of strokes

Independent or discreet thinking(Fig. 6.14) is associated with the presence of loops in the letters "v", "d", "z", "y", "c" and "u".

1) There are no loops - the thinking of a person with an independent character.

2) There are no loops, but the letters are written with heavy strokes - evidence that a person has directness and a desire to reduce everything to the most essential, but shows self-confidence and impatience in business.

3) A narrow loop is a sign of careful thinking. Such a person restrains his enthusiasm and takes new ideas with skepticism.

4) A long and wide loop speaks of aspirations aimed at satisfying material needs and emotions of a non-spiritual nature.

5) A short top loop is a sign of careful thinking, modest behavior, a desire for restraint.

6) The bottom loop, which is prohibitively large, is a sign of a cheerful character. The longer and wider the loop, the more sociable the character and the more active the search for pleasure.

7) If the upper and lower loops are disproportionately small in relation to the letters, then this is a sign of a character that does not strive to be independent, is not ready to become a leader and does not have a sufficient degree of sociability. This person can be content with little.

8) A loop that is bent inward like an exaggerated hook is a sign of care and attention to detail.

9) Loops located in a loop are a sign of an independent mind, a desire for originality and unusualness.

10) The loops are turned in the opposite direction and closed - a sign of a lively mind, capable of understanding people and clearly expressing ideas.

11) The letter "d" is similar to the number 8 - a sign of an independent mind, capable of perceiving new ideas and able to adapt to a new environment.

12) The angular loop is a testament to courage and determination, which will manifest itself at the right moment.

13) Knots in the noose are a sign of exaggerated persistence in defending their ideas.

14) Gaps between letters indicate that a person relies on intuition and draws conclusions based on quick observations.

15) The absence of gaps between letters is a sign of a logical mind.

Rice. 6.14. The presence of loops

Striking out the seven(Fig. 6.15) - a sign of willpower and the characteristics of its manifestation.

1) The line stops at the oblique line of the figure - a sign of procrastination, postponing things on the back burner.

2) A short and dull stroke directed downward is a sign of a critical mind, a tendency to dissent.

3) Half-line pointing down - procrastination and meticulous criticism.

4) Long stroke - the presence of willpower, self-promotion, enthusiasm.

5) Hooks and knots on the line drawn through the number are a sign of perseverance, as well as expectancy of the maturation of an idea.

6) A funny curl is a sign of gaiety, romanticism.

7) A stroke flying over a number is imagination and enthusiasm, a desire to achieve the impossible.

8) A stroke directed upwards is a sign of a combination of practicality and high spiritual needs.

9) A downward stroke is a sign of the greatest practicality.

10) The stroke closes on the line of the figure and continues along it - the sensitivity of nature in the absence of initiative.

11) The dash corresponds to the size of the number - a sign of high self-control and mastery of emotions.

Rice. 6.15. Striking through the number "7"

Secrecy or frankness manifests itself in uneven size (Fig. 6.16).

1) The word begins with small letters that increase in size - a sign of inability to keep secrets. 2) Letters are large at first, and then small ones are usually characteristic of people who are interesting interlocutors, but show restraint in choosing topics for conversation.

3) The end of the word turns into a straight or wavy line - usually restraint turns into secrecy.

4) The more "open" the letters, the more talkative a person has.

5) Open "in" - a sign of gullibility.

6) Closed letters are a sign of restraint in conversations.

7) Letters with knots are a sign of caution in speech.

8) "Saddle letters" - a sign of the ability to keep secrets.

Rice. 6.16. Irregularity in size

Capital "I"(Fig. 6.17) - the more pretentious letter "I", the stronger the person's attempts to draw attention to himself. If "I" is unadorned, then the person holds on to his ideas, once and for all.

Rice. 6.17. Capital "I"

Signed as a self-portrait(fig. 6.18). When analyzing a signature, it is better to have several samples taken at different times. In this case, you can draw on the features of the change or stability of the stroke. By paying attention to the slope, you can determine the emotional state of a person. Leaning forward is a sign of a friendly nature. A signature tilted back is a sign of emotional control.

Sometimes it seems that the signature has nothing to do with the person's handwriting. For example, the text is written in small handwriting, and the signature is large, or the text is written with a backward tilt, and the signature, on the contrary, with a forward tilt. This suggests that a person has his own desires, but obeys certain requirements of the environment.

1) Short straight line under the stroke - loyalty and lack of aggressiveness.

2) A long and straight dash with a slight pressure - the presence of an assertive character with a penchant for material gain.

3) A long dash with strong pressure is a sign of the presence of goals of enrichment and recognition.

4) Small double vertical dashes in the center with a dash are a sign of business style.

5) A graceful curved line is a sign of the character of a romantic hero who loves a refined life, compliments.

6) The more angularity in the dash, the more ambition, determination and willpower are manifested.

7) The dash, which is a continuation of the last letter, is evidence of perseverance, readiness to stand up for oneself.

8) The signature is underlined in an unusual way - a sign of uniqueness of character, originality and originality.

Rice. 6.18. Signature options

Handwriting legibility:

1) Clear and legible handwriting, letters are written out slowly and carefully, there are no letters in the handwriting that attract attention - a sign of the ability to carefully weigh everything, combined with a desire for independence, a willingness to cooperate in the absence of a tendency to independent work.

2) The handwriting is legible, but the letters are original in the outline - a sign of a creative mind, intellectual curiosity and the ability to think clearly.

3) Illegible handwriting with irregular, connected letters is a sign of a mind incapable of clear and logical thinking, as well as impatience, suspicion. Usually, it is difficult for this type of people to find happiness in their personal lives due to the fact that it is difficult to understand them. Frequent mood swings, unreasonable attitude to finances, combinations of high spending with bouts of greed.

4) At high writing speed, handwriting becomes illegible - evidence of quick thinking.

At the end of the 19th century, the name of Nikolai Chizhov, who had the ability to recognize people by handwriting, resounded throughout St. Petersburg. While on business in Kiev, he went to the Right Reverend Theophilus and found the members of the teachers' council of the Theological Academy, who were in great difficulty. Three graduates scored an equal number of points, and there was only one to choose ...

Chizhov looked at the works of these students and said: “The author of this is blond, reckless, thin ... This one is nervous, selfish ... And the third is a handsome, lively, energetic brunette. So give him the primacy, he's worth it. " Struck by the accuracy of the characteristics, the members of the teachers' council began to ask Chizhov how he managed to see not only the character trait, but also the appearance by handwriting. “I don’t know myself,” he answered, “I see, and that's it…”

Much later, scientists will determine that the psychomotor movements of our fingers during writing are directed by electromagnetic impulses coming from the brain. Graphology data will be used in psychology to study individual character traits. In forensic science, they will begin to be used for psychological diagnostics. In medicine, they will allow you to identify the early stages of Parkinson's disease by slightly trembling handwriting.

SCRIPT - WHAT IS THE MIRROR

The science of handwriting and the reflection in it of the character traits of the writer originated almost simultaneously with the creation of writing. Its scientific foundations were laid by the student of Plato, the ancient Greek philosopher and naturalist Theophrastus. The term "graphology" itself was introduced in 1872 by the French scientist Jean Michon. At the same time, graphology acted as a special discipline.

With the development of technology, the possibilities of graphology have greatly expanded. In the United States in the 80s of the XX century, a computer program was created to determine the business qualities of applicants for vacancies in institutions and firms. It is based on data from a study of the handwriting of 500,000 people. The computer almost instantly gives out the psychophysical characteristics of a person according to 130 parameters.

Businessmen are very interested in how, judging by the handwriting, a person copes with overloads, whether it is easy for him to bear the burden of responsibility, whether he has secret doubts about his competence - that is, those factors that cannot be identified during a conversation when hiring a person.

Graphology is now taught at American universities. More than 3,000 American, 80% German, more than half of large Swiss firms and companies carry out graphological analysis of handwriting when hiring or appointing to responsible positions.

So, graphology can do much more than just distinguish two people by handwriting. An experienced graphologist will determine with a high degree of accuracy whether a given person is an optimist or a pessimist, to which sciences he is more adapted - to humanitarian tiled ones.

GRAPHOLOGIST FROM GOD

Graphology is not so much a dry science as an art. No computer can pick up information that an experienced graphologist can easily read. A piece of paper written over, as it were, radiates the energy of the writer and even conveys his appearance. Extrasensory perception of handwriting is similar in nature to the ability of some people to make a medical diagnosis or determine its location at the moment from a photograph or personal belongings of a person.

The December 1896 supplement to the Nature and People magazine published the story of the murder of the lawyer Bernay in Brussels. The killers were gone. It was only possible to find out that he used the fictitious name Vaughan, and to find a piece of paper covered with his hand. We turned to a graphologist, and he gave the following conclusion:

“The temperament is hot, ardent, the character is bilious, the bone is wide, the muscles are developed, the age is average, the circulation is unfriendly. Tendency to anger, to misanthropy. In anger turns pale, gait is correct, does not like arguments. There is more arrogance in him than pride, he considers well and loves order in everything. Selfish, proud, ambitious, speaks little, a subtle diplomat. Understands art, devoid of any religious feelings. The face is swarthy, the eyes are most likely gray, the nose is slightly humped, the hands are small with thin fingers, the teeth are good. She narrows her eyes, the accent is not entirely clear. On the right hand, the middle finger is phenomenally developed. "

After 10 days, according to these exact signs, the offender was detained. Needless to say, computer graphology could give only half of the listed characteristics. The graphologist from God is always also a psychic!

And here are examples from the recent past. One automobile company, suffering millions in losses from theft, having exhausted all funds, turned to a graphologist for help. After reviewing the samples of the employees' handwriting, he said that the vice president of the company was involved in the crimes. They put him under surveillance and got caught. Indeed, he was the head of a criminal gang.

GRAPHOLOGISTS-CHECISTS

In pre-revolutionary Russia, so little attention was paid to graphology that this term did not even get into the 82-volume Encyclopedic Dictionary of Brockhaus and Efron. In 1925, all Russian graphologists were registered. And either they ceased their legal activities, or moved to the secret departments of the NKVD, and then the KGB.

Soon all references to the work of graphologists disappeared from the Soviet press. The society began to cultivate the idea of graphology as a pseudoscience. In the meantime, the graphologist-KGB officers established on the basis of voting ballots which of the deputies of the XIII Congress of the RCP (b) and the XVII Congress of the CPSU (b) voted against Stalin. Several years will pass, and all the "Protestants" will receive a bullet in the back of the head ...

By the way, one of the most prominent Soviet graphologists, Semenov, a few days before Yesenin's mysterious death, on behalf of the authorities, studied his handwriting and made a conclusion about the poet's mental imbalance. Later, the same graphologist performed an examination of Maxim Gorky's handwriting.

The most famous graphologist who worked in the NKVD was Zuev-Insarov. Examining the autograph of the famous Soviet writer Vsevolod Ivanov, he wrote the following conclusion:

“An inquisitive and restless thought. Inclination to reflection, introspection. When decisive measures are required, he does not stop at them, but is familiar with great hesitation. He does not express much, often being afraid to remain incomprehensible to the end. Proud, able to be stubborn. At times irritable, picky. He knows how to do a lot of work at once, but works unevenly. Moments highly gifted, moments becomes apathetic. He does not lose composure in serious moments of life. Deeply converges with people rarely: he loves the company of people of the same mood. In personal relationships, she is more of a gentle nature, although at times a difficult person. Impressive. Attacks of fear, often without real grounds. It is difficult to fit into the framework of everyday life. The complexity of personal experiences, sometimes expressed in the form of internal contradictions. The obsession of certain ideas ”.

Vsevolod Ivanov responded to this characterological sketch: "Your characterization shocked me as a spirit of great talent!"

MEMORY AUTOGRAPH

Before the invention of the typewriter, manuscripts were the source material for reproduction. Therefore, in elementary schools, great attention was paid to calligraphy - the art of writing beautifully and legibly. Calligraphy lessons disappeared from our elementary school curriculum in the 1950s. And now, when computers have superseded typewriters everywhere, no one remembers beautiful handwriting, and most people write like a chicken with a paw.

Handwriting deteriorates sharply in moments of haste, from which writers of the last century suffered, who tried not to miss inspiration. Victor Hugo's manuscripts are reminiscent of a battlefield where fallen (crossed out) words are replaced by new warriors, not in battle order.

The typesetters agreed to work on Balzac's manuscripts only for an increased pay, and even then not more than an hour a day. The French philosopher Montaigne had such illegible handwriting that he had to hire a secretary to write his "Experiments" in a form acceptable to the printing house. The great economist Charles Dickens wrote in microscopic letters, very sloppy and, in addition, in blue ink on blue (the cheapest) paper.

At the present time, a large amount of handwriting has been preserved by doctors, and their handwriting has fallen into jokes. Despite, however, the progress of typewritten technology, two types of manuscripts have survived - autographs and signatures on documents. It is they who lift the veil over the secrets of human character. Graphologists claim that the signature is the mirror of the soul. The more pretentious it is, the more a person's opinion of himself deviates from reality.

Personality traits - by handwriting ??

Yes, yes, it is by your handwriting that you can be characterized, completely not knowing as a person, and even not communicating with you at all! This is often done, for example, by an employer, who has offered an expert graphologist to conduct an examination of a leaflet with your notes on a free topic. And, what is most interesting, you will not be able to deceive in any way, even if you just tried very hard to write beautifully and correctly. So, about handwriting traits!

It turns out that when writing "by hand" certain impulses come from the brain, which are associated with a person's character traits.

Handwriting is analyzed by graphology. Thanks to this discipline, handwriting makes it possible to determine self-esteem, willpower, emotionality and much more.

Graphology that scientific area of knowledge that studies the relationship between handwriting and a person's character. Graphological analysis has a number of parameters. There are quite a few of them. These include the direction of the letters, their inclination, position on the sheet, the degree of compression of the handwriting, etc.

Thanks to a good, professional graphological analysis, it is possible to determine the prospects for personal growth, the propensity for drug addiction and much more.

Learning to recognize a character by handwriting is a huge work. But some of the most common elements can be grasped with little effort.

So, we take with you a blank sheet of paper with no margins on it and write, for example, 10 sentences on a free topic! Or let's take our personal diary. But for analysis, records like congratulations in a postcard are not suitable, since the handwriting is made artificially. The recording to be analyzed should be made in a calm state, when the person is not in a hurry. The ideal option for this would be several recordings made at different times. It is worth noting, however, that a number of factors cannot be ignored: the handwriting also depends on the mood, situation, state of the emotional background, and the like.

The science that unravels the mysteries of character

As mentioned above, reveals the specifics character handwriting graphology... In general, it should be noted that this discipline has received recognition by far from all scientific researchers. Many consider it to be pseudoscience altogether. However, many psychoanalysts, employers, etc. still do not hesitate to use graphological examination. Graphology should be distinguished from the study of handwriting, which is directly applied in judicial practice. Thanks to the analysis of character by handwriting it turns out to be possible to recognize those things that are practically impossible to recognize with the help of other means.

Handwriting as a whole is a section of forensic science, which studies the development of a person's writing and motor skills in order to solve the problems of forensic handwriting examination, and also develops methods for studying handwriting.

Handwriting studies, in contrast to graphology, focuses on the stereotyped actions performed during writing, as well as on the individuality of handwriting and selective variability (the result of the body's reactions to various conditions).

About character traits by handwriting began to judge for a long time. The origins of graphology go back to antiquity. Its beginnings can be found in the works of Theophrastus, Aristotle, Dionius of Halicarnassus, and others.

One of the first to draw attention to the connection between handwriting and character was the Roman historian Suetonius. In 1622, a work was written that marked the beginning of the development of graphology. The author of this very book, entitled "Discourses on the way to recognize the customs and qualities of those who wrote from his letter," is C. Baldo.

The first attempts to systematize the characteristic features of handwriting were made in 1871 and belong to J.-I. Michonne. He also introduced such a concept as "graphology" (from the Greek word "grapho" - I write, "logos" - teaching). He believed that this discipline should be widely applied in the examination of writing (in court, for example). On his initiative, at the end of the 19th century, specialized journals on this topic began to be published, as well as graphological communities were organized. Michonne himself took part in attribution.

Biologist V. Preyer studied the issues of writing pathology, psychology and physiology. He conducted a very interesting experiment on writing under hypnosis. The one who was in the role of the subject was inspired that he possesses such character traits as secrecy, stinginess, etc. At the same time, he had to write under dictation. The handwriting became different than that which was inherent in a person under ordinary circumstances.

Also, a lot of research was carried out, thanks to which new secrets of graphology were discovered. For example, R. Wieser, examining the handwriting of more than 700 criminals, confirmed that the handwriting can reveal the presence of criminal inclinations in a person. Such a conclusion was made in due time by C. Lombroso.

Direction of lines

When analyzing handwriting, one should pay attention to its size, slope, pressure, outlines, and the arrangement of lines.

So let's get started!

The direction of the lines can tell a lot. The undulating direction speaks of the ability to lie and resourcefulness, as well as dexterity.

Apathy, pessimism, self-doubt, sentimentality, self-doubt, lack of initiative are spoken by the lines going down. If the lines go up, then the person is certainly brave, conscious of his own strength, decisive, sincere, set for success, confident in himself, but ambitious, vain.

Balance, prudence, a strongly developed sense of duty, willpower, self-confidence, trust speak straight lines.

A weak desire to start work, but a strong desire to bring the matter to the end is indicated by the lines, first down and then up.

And if they first ascend and then descend, then this means that a person is interested in various types of activities, takes on several tasks at once, but rarely finishes them. He is also characterized by such traits as impatience and inconsistency.

Arrangement of letters

In people with a predominance of images and intuition over abstract thinking, as well as with a developed aesthetic sense, the letters stand in isolation from each other. Often their actions defy logical explanation, but their life has a rich inner content.

The handwriting with the most rational combination of letters among themselves, the fluency of handwriting speaks about quick-wittedness, initiative, vigorous activity, as well as enterprise.

The solid consistency of the letters also speaks of enterprise plus the ability to think critically and good logic.

The incoherence of the letters speaks of the poor ability to think critically, daydreaming, and a penchant for fantasy.

If the letter is fluent and the connecting lines are barely readable, then this indicates a special talent.

Correct handwriting shows a person as level-headed and calm.

Calligraphic, on the other hand, speaks of obligation, accuracy, but lack of independence.

The illegibility of the handwriting demonstrates energy, carelessness, but at the same time nervousness.

Handwriting with rounded letters speaks of kindness, responsiveness and the ability to compromise. The angularity of the letters speaks of selfishness and independence.

The size of the letters depends on the degree of sociability. Large handwriting betrays a person who is easy to make contact. Small - about a closed, secretive personality.

If the size of the letters constantly "jumps", then this is a sign that imbalance, excessively violent activity, "boiling", anxiety (both external and internal) are inherent in a person.

A broad handwriting reveals to us a person with a broad soul, and a narrow one - a rational, thrifty person.

Incline

When analyzing, you need to pay attention to what kind of slope the handwriting has. Have

for most people, he "looks" to the right. If he is small, then this speaks of the person as a calm and balanced person, always open to communication, but who at times does not mind being alone. A strong tilt to the right speaks of perseverance and determination. Also, people with such a handwriting are amorous, jealous, get down to business with the attitude "either all or nothing", they are characterized by maximalism.

Individualists in handwriting have a slight tilt to the left. It is also common for them to put their interests above group interests. Good critical thinking is inherent in them. Owners of handwriting with a strong left leaning are self-sufficient and independent.

A straight slope characterizes a stubborn person. This is a person who knows how to weigh everything. Emotions correlate with rationality.

The "oblique" slope speaks of cordiality and readiness for sympathy. If the letters are almost "lying", then their owner is likely to be an intemperate, hot-tempered person.

If they look in different directions, then we can say that a person is capricious, indecisive, he has a discord between reason and feelings, but he treats all this with humor.

Fields

When a person writes several sentences or a piece of text, he leaves the fields anyway. Both left and right. The location of the fields will tell us about a person's attitude to material goods. Narrow fields speak of frugality, and wide fields speak of generosity. Avarice and greed are inherent in people who leave the tapering left edge. Wastefulness - if the edge widens downward.

If in general the fields are small and are located precisely on the left, then this indicates a tendency towards family life, as well as, possibly, some pettiness.

Too wide margins speak of generosity, striving for originality, refined manners and habits, but luxury, brilliance, pride, refined manners and habits.

Pressure

For romantic, very sensitive natures, the pressure will be light. Such individuals may be dreamers. They are distinguished by their responsibility and accuracy. They are unhurried, trying not to make mistakes in business. Among the shortcomings is weak-willedness.

Confident and energetic people with high efficiency have strong pressure. They are also characterized by such traits as purposefulness, optimism and sociability.

If strong pressure is combined with a steep, steep slope, then this speaks of a person with a strict outlook on life.

Signature analysis

For cunning and observant persons, the signature will consist of loops. The crossed out signature speaks of vigor, as well as impulsiveness.

A zigzag flourish speaks of imbalance. And about intelligence and prudence, in turn, his absence speaks.

A timid and withdrawn person encircles the signature. Courage and self-confidence are indicated by a simple signature.

Handwriting is still a mystery, but the place where the key to its solution lies is known. However, in your conclusions about a person according to the peculiarities of his handwriting, one should not be 100% sure. But this topic certainly deserves attention. We see that experiments have justified graphology. Indeed, there is confirmation of her findings. It should just be borne in mind that this discipline still has to go the way of its improvement in methodology. But she already has enough merit to take into account her theses.

Thanks to character analysis by handwriting you can avoid many situations and pay attention to your shortcomings.

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