A ready-made pattern of a fitted blouse with a yoke. Modeling lesson: blouse patterns for different types of shapes

01.10.2019

The motto of this incredibly feminine blouse with puffy sleeves and a yoke is more volume! Indeed, despite the seemingly large-scale assembly, the model looks very light and feminine, and the endless number of folds created due to the soft drapery of the fabric create a delicate airy image. It is most correct to combine a blouse with a strict tight-fitting bottom, and a pencil skirt, just below the knee length, is an ideal combination partner. However, this style can be successfully combined with cropped skinny jeans, but the waistline of the trousers should not be too low. The pattern of a blouse with sleeves is very simple to model!

Start modeling from the blouse shelf. First you need to transfer the bust dart to the waistline. In one of our previous lessons, we showed you how to do this:. Then continue modeling the shelf.

Cut the single-seam sleeve pattern into 2 halves - front and back. Place the front half of the sleeve on the shelf at an angle, aligning the top of the ridge with the top of the armhole. Along the line of the middle of the front from the neckline, set aside the width of the yoke 8-10 cm. Draw the bottom line of the yoke, slightly rounded, passing into the sleeve. Raise the shoulder seam up 1 cm. Mark the point of intersection of the front and sleeve with a mark 2. Cut the yoke and continue modeling.

Slide the parts of the shelf as shown in fig. 1 by adding volume to assemblies in a ratio of at least one to two.

Rice. 1. Modeling blouse shelf (first option)

Advice! To accurately determine the shirring allowance for your fabric, cut a 20x20 cm rectangle of fabric and gather it on one side to achieve the desired shirring volume. Measure the length of the gathered side and calculate the proportion of the length to gather.

IMPORTANT! The gathering volume depends on the thickness of the fabric and your preference and can be increased or decreased.

The length of the blouse on the front - up to the waistline, on the side - about 50 cm. Connect the points obtained with a smooth arc. Hide the side seam (fig. 1).

We offer you another interesting option for modeling the shelf, in which the lower edge of the blouse will turn out to be even more voluminous, and the gathers along the lower side of the yoke can be reduced (Fig. 1a).

Rice. 1a. The second option for modeling the shelf

Model the backrest pattern in the same way (either according to the first or second modeling option, Fig. 2 shows the first option). Remove the back yoke from the shelf, flare along the side seam. The length of the blouse in the center of the back is about 65 cm.

Rice. 2. Modeling the back of the blouse

Modeling puffy sleeves

On the front and back of the sleeve, cut off the ridge along the yoke line. Cut the sleeve vertically into several pieces and slide it into the assembly (fig. 3). Make allowances for assembly in the same proportion as on the shelf / back.

Rice. 3. Modeling sleeves to the blouse

How to cut and sew a puff sleeve blouse

Blouse cut details are shown in fig. 4.

Additionally, you need to cut out:

2 rectangular details for cuffs 5 cm wide and wrist length + 6 cm (3 cm increase for freedom of fit and 3 cm for closure)
2 oblique piping for sleeves 3 cm wide and 23 cm long (finished cut length 10 cm).

All patterns are given without allowances for seams, therefore, when cutting, it is necessary to add allowances of 1.5 cm on all sides of the parts and 2 cm on the bottom of the product.

Rice. 4. Cut details of the blouse with sleeves

Any plain blouse fabric is suitable for watering the blouse. Calculate the fabric for a blouse yourself, spreading the details on the table or on the floor.

How to sew a blouse

Stitch side seams and sleeve seams, overcast seams. On the sleeves, do,. Sew the sleeves into the lower parts of the armholes, overcast the allowances. Sew the yokes of the shelf and back along the shoulder seams, neaten the allowances together and press them onto the shelf. Neaten yoke allowances in the center of the back, bend and topstitch. ... Gather the product along the top edge to the length of the yoke and stitch to the yoke. Neaten the allowances and press on the yoke. Fold up the bottom hem of the blouse and stitch.

Your adorable blouse is ready! Shine in your beauty and be happy! You will find even more new and interesting ideas on the website of the Sewing School of Anastasia Korfiati. Subscribe to free lessons and sew fashionable clothes with us!

MODELER-DESIGNER

"If you open your blouse slightly,
You can shine beautifully with your breasts
And do not waste money on outfits,
And you don't need to paint your eyes. "

A blouse is an indispensable item in a woman's wardrobe. In combination with a skirt or trousers, she works wonders, being the main one in this tandem, and setting a certain tone for him. After all, it is she who dictates the character of the ensemble and its style. The choice of the perfect blouse must be approached with all responsibility, whether it be a casual or a festive version, it must match your image, style, suit you in color, cut.

In our article we will try to figure out how the type of figure can affect the choice of the style of the blouse. And we will analyze the modeling of several models of blouses so that you can sew them yourself. By the way, you can read more about the types of figures in the article.

We are all women are different, each of us is unique, you can't argue with that. But, nevertheless, somehow, we managed to classify ... Classify by the type of figure. Well, let's trust the professionals and take their research into service, this knowledge will help us decide on the choice of the perfect blouse for ourselves.

Hourglass Blouse

In attempts to change our body, each of us intuitively strives to bring its outlines closer to the proportions of the "hourglass" figure type. The owners of these figures are lucky! The ideal of female attractiveness. And although, sometimes, they have to deal with excess weight, they are not deprived of male attention ... but now we are about blouses. You should not wear too tight and low-cut models, so as not to look vulgar, everything else is possible. For your type, stylists offer simple solutions, not weighted down by abundant decor, emphasizing the natural curves of the figure, laconic models. Smells, V-neck, fitted silhouette, simplicity of lines, as well as the severity of the silhouette.

We chose the blouse for the modeling lesson as simple as possible, very comfortable, comfortable to use, but, at the same time, spectacular and bright. Of course, this model is suitable not only for an hourglass figure, but it is her minimalism that will favorably emphasize the feminine curves of the female body. In an ensemble with a pencil skirt, it will look the most advantageous.

blouse model from the site:

Modeling will be carried out on. You can build a foundation using any technique, but why complicate it? You can easily generate it on our website. ... Just enter your measurements and after payment you will receive a file with the ability to print on any printer. ...

First step. Extend the neckline and deepen on the shelf along the model.

Next, you need to complete the sleeves according to the kimono principle, see the picture. More sleeves. The width of the sleeve is equal to the girth of the arm plus an increase in freedom. The cuff will have the same length, its width is 4.5-5 cmready-made.

Now let's add some freedom to the pleats at the bottom of the sleeve.

BLOUSE FOR TRIANGLE TYPE FIGURE.

For women with a triangle (pear) figure, the recommendations are as follows - to draw more attention to the shoulder girdle, thereby balancing the proportions of the figure and bringing its outlines closer to the "hourglass". Of course, you have the most feminine forms, you should not be complex because of the slightly heavy bottom. Don't forget - you are in trend! The inimitable sets the tone).

Choosing the right clothes (blouse) will give you confidence. Boat neckline, V, neckline, blouses with shoulder straps, epaulettes, yokes, chest pockets, stand-up collars in a widened neckline, turn-down collars ... Elongated and, moreover, contrasting top - no!

For the lesson, we chose a blouse from the BURBERRY brand. It has folds on the cuff of the sleeves and a yoke, from which there are gathers on the chest. And the filling of the okat, and the yoke, and the assembly, all these details visually expand the shoulders, accentuate attention. By the way, this blouse is very suitable for the figure. type rectangle.

PATTERN OF A BLOUSE WITH COCKET

For modeling, we will also need it.

Back. We translate the shoulder dart into the armhole line, marking its position with a new line.

Shelf. We will temporarily transfer the bust dart to the side seam.

Let's outline the lines of the yoke. And section lines for modeling the assembly on the shelf.

Cutting along the outlined lines, we will combine the yokes of the back and shelves along the shoulder seam.

We outline the line of the edge of the bead, at a distance of 1.5 cm from the line of the middle of the front.

Move the breast dart from its temporary position to the upper edge of the shelf at the assembly location. Correct the side seams by straightening a little. Mark the loops of the clasp.

Sleeve. Translation of the elbow dart down, having previously outlined its new position with a line running from the top of the dart to the bottom of the sleeve.

Mark and cut along the sleeve width line under the armhole. From the point of the top of the ridge, set aside 3.5 cm along the ridge line of the shelf and make an incision as in the figure.

Expand the part along the cut line, but only in the upper part. As shown in the figure, thus forming the depth of the fold. The further description of the sleeve modeling corresponds to the description of the sleeve of the shirt-blouse, see above.

The bow collar is a long rectangle with a fold. Its width is 7 cm without processing allowances. The length is optional, but not less than 1m 30 cm, for the possibility of tying.

BLOUSE FOR RECTANGLE TYPE FIGURE.

For a rectangle-type figure, stylists recommend accentuating the waist, extending the shoulder line and wearing a peplum. By the way, on such a figure, smells and freedom in the waist area look very good. Strictly speaking, you can do anything! After all, this type of figure allows you to model and create completely different images. Pay attention, on the catwalks of the world there are completely girls with just such external data.

PATTERN OF THE BLOUSE WITH V-NECK.

For modeling, consider a model of a delicate blouse made of chiffon, free cut with an original collar.

To model this model of a blouse, we will use. Although, if you have large breasts and you can't do without a dart, you can take and. All these patterns can be generated on our website, by paying, you will receive a file with the ability to print, on a printer of any format.

Let's start modeling by expanding the neckline by 2.5 cm and deepening it along the shelf by 10-12 cm. We also outline the line of the yoke.

Next, you need to measure a new line of the neck of the back and the shelf and, based on the measurements obtained, draw a cocktail collar, equal to this value along the inner contour. See picture. Do not forget that it is double in the blouse model!

Now let's start changing the sleeve pattern. Here we practically do not need to do anything, but because there is a small assembly along the bottom of the sleeve, then we will check the width of the sleeve along the bottom and, if necessary, we will increase it by expanding the sleeve. We will process the bottom of the sleeve with a tape, edging it.

A BLOUSE FOR A FIGURE TYPE INVERTED TRIANGLE.

Inverted triangle ladies need to choose the right accent tactics in their quest to dress tastefully and look attractive. As a rule, you have beautiful long legs and a toned buttocks. Move the accents from the shoulders down. We choose blouses in such a way as to shift attention in every possible way to the area of the chest, waist, hips. Raglan, American armhole, open shoulders, basque, asymmetry ... Experiment!

Off-shoulder blouse.

Photo source

For modeling, we need one, which we can easily generate here using our individual measurements. We can easily transform the base pattern into a loose blouse by moving the bust dart down.

At the first stage of modeling, we will correct the length. We will transfer the shoulder dart to the armhole line, the chest down, simply by cutting along the marked line and opening its shelf visa. Learn more about translating darts.

Let's start modeling the sleeve. It is necessary to get rid of the elbow dart by moving it down.

It remains to outline the raglan line.

Do not forget to measure the length of the neckline, you will need this value when processing it with a bias tape.

BLOUSE ON THE APPLE FIGURE.

With this type of figure, there is one feature that distinguishes it from others - not pronounced waist. And even, the lack of a waist. But, this is not at all a reason for frustration. There are a lot of techniques with which you can disguise yourself so that no one will notice this fact. This is, first of all, freedom in the waist area, which will help to provide all kinds of draperies, smells, Empire style, multilayer clothes, vertical lines, folds ... By the way, these models of blouses are very fond of owners of any type of figure, because only they will make any situation related to a festive feast. Agree that a long banquet and a tight dress are not compatible things for everyone).

BLOUSE WITH ASYMMETRIC BOTTOM.

For the "apple" -type figure, we chose a blouse with an interestingly decided bottom, the asymmetry and two-layer structure of the shelf will make it possible to sew this model from transparent fabrics such as chiffon, thin silk crepe, organza.

We will simulate again on.

We transfer the bust dart to the side seam, and the shoulder dart to the armhole line. Learn more about translating darts.

Let's widen and deepen the neck. After that, you need to outline a cutout on the neck of the shelf. Cut the dart on the chest by 2 cm in length.

Here's what happened.

To construct a collar pattern, it is necessary to completely repeat the line of stitching into the neckline. To do this, combine the details of the back and front along the shoulder seam and transfer the resulting line to the collar drawing, if necessary, adjusting its curvature. See picture.

Move the elbow dart down. Correct the elbow and anterior sections. Pata is a rectangle 30 cm long, 3-3.5 cm wide when finished.

Finally, I would like to give you some advice - sew from natural high-quality fabrics. If possible, do not deny yourself the pleasure, enjoy the gentle touch of silk on the skin. After all, the luxury of silk fabric cannot be replaced by any of the most high-tech synthetics. Let the new blouse become the most beloved and desired in your wardrobe!

ADVICE Depending on whether you want to hide a slightly protruding tummy or wide hips, choose the length of the product.
However, both the blouse and the tunic look great on slender girls.

In this master class, we will show you, step by step, how to sew this fashionable blouse without mistakes.

Sizes 36, 38, 40, 42, 44
Length from waist: A - 25 cm, B - 45 cm.
YOU WILL NEED:
Blouse A.
Batiste with embroidered dots 2.10 m, 140 cm wide for all sizes; non-woven fabric G 785 0.50 m, 90 cm wide; 2 small buttons; sewing thread.
Tunic B
Decoupage fabric with longitudinal stripes 2.30 m, 150 cm wide for all sizes.
Butt - see tunic A.
Recommended fabrics: blouse fabrics.
Before disclosing:
All data is shown in the box on the right with a reduced drawing of the details of the pattern.
TIP: parts 2, 4, 6 and 7 are reshaped twice, this will greatly facilitate the cutting process.

DISCOVER:
Layout plans show the most efficient way to arrange the pattern pieces on the fabric.
From cambric with embroidered dots / decoupage fabrics with longitudinal stripes:
1 Front with fold 1x
2 The middle part of the front yoke with a fold 2x
3 Backrest with folds 1x
4 The middle part of the back yoke with a fold 2x
5 Sleeve 2x
6 Side part of the front yoke 4x
7 Side part of back yoke 4x
a) 2 bias tape for edging sleeves 19 cm long and 3 cm wide, including allowances;
b) 2 cuffs in length: size 36 - 24 cm, size 38 - 25 cm, sizes 40, 42 - 26 cm, size 44 - 27 cm and 10 cm wide, ready-made 5 cm.
Allowances:
Use a ruler and tailor's chalk on the fabric to mark the allowances around the details of the paper pattern.
Blouse A: for the hem of the bottom - 8 cm, for the rest of the seams and along the cuts - 1.5 cm. Cut out the details along these lines.
Tunic B: for all seams and cuts - 1.5 cm.
Cut out the details along these lines.
Pad:
See parts and areas of parts on the nesting plan, highlighted in gray. Cut out the details from the gasket with allowances with the same direction of the common thread as the details from the fabric. Press the gasket to the seamy side of the outer parts of the yoke and the outer halves of the cuffs.
Seam lines and markings:
Fold the cut parts duplicated by the spacer again right sides / in half with the right side inward. Pin the details of the paper pattern again.
The contours of the pattern parts and the markings (seam and bottom lines), in addition to the directional arrow of the common thread, are transferred to the wrong side of the cut parts using a gear wheel (cutter) and burda copy paper (see detailed instructions on the paper packaging). On the front and back, at the midline of the front / back on the allowances, make notches with a length of approx. 5 mm. Important: Do not use colored carbon paper for light or translucent fabrics, as lines may show through to the right side of the fabric. It is best to use white carbon paper and a non-serrated cutter, after trying on a piece of fabric.

SEWING
When basting and sewing, fold the cut pieces right side in.
Bartack at the beginning and end of each seam.

BLOUSE A, TUNIC B
■ Preparing cut parts for assembly.
Along the upper cuts of the front, back and sleeves on both sides of the marked seam lines, lay machine stitches with large stitches, while on the sleeves, start / end stitches at a distance of 5 mm from the marked seam lines for stitching the sleeves (1).

■ Side seams.
Before placing on the back with the right side to the front side, chop off the side slices. Stitch (2).

Cut the allowances of each seam to a width of 7 mm, sweep together and press on the back.
■ Sleeve slits.
On each sleeve, make a cut along the marking. Expand the cut edges in a straight line and stitch to one longitudinal cut of the edging tape (a) with the front side to the front side, while at the end of the cut (arrow) - as close as possible to the cut (3).

Press the seam allowances onto the piping tape. Press the other longitudinal cut of the tape on the wrong side so that the distance between the fold and the seam of the bias tape is 1.5 cm evenly along the entire length of the tape (4).

Fold the edging tape in half lengthwise with the wrong side inward and pin it over the seam where the trim is sewn (5).

From the front side, sew the piping tape along the seam close to the seam, securing the inner half of the tape. At the upper end of the cut, sew the tape from the wrong side obliquely, like a dart. Turn the edging of the front edge of the cut (the edge of the cut that lies farther from the lateral cut of the sleeve) to the wrong side, pin it to the lower cut of the sleeve. The edging of the posterior edge of the incision acts as an allowance for the incision (6).

■ Sleeve seams.
Fold each sleeve along the right side to the inside. Chip off the sleeves. Stitch. Trim seam allowances to a width of 7 mm, sweep together and press forward.
■ Cuffs.
Gather the bottom edge of each sleeve to the length of the cuff; for this, on both sides of the marked seam line, lay machine stitches with large stitches. Firmly holding the bobbin threads of the gathering stitches, pull the hem of the sleeve to the length of the cuff. Tie the stitching stitches. Spread the assembly evenly. Pin the half of each cuff duplicated by the gasket to the lower edge of the sleeve with the front side to the front side, the cuff allowances protrude beyond the edges of the sleeve opening. Stitch. Press seam allowances on cuff. Press the allowance on the other longitudinal edge of the cuff to the wrong side (7).

Fold the cuff in half lengthwise with the right side inward, at the ends of the cuff chop off short cuts. Stitch. Cut off the seam allowances close to the lines, at the corners - obliquely (8).

Unscrew the cuff. Iron on. Pin the inner half of the cuff over the welt seam. From the front side, stitch the cuff along the stitching seam close to the seam, securing the inner half.
BLOUSE A:
Stitch the remaining edges of the cuff at a distance of 5 mm.
BLOUSE A, TUNIC B:
Close buttonhole at the front end of the cuff. Sew a button to the back end of the cuff according to the loop.
■ Sew in sleeves.
Chop each sleeve with a cut of the armhole from the right side to the front side, aligning the sleeve seam with the side seam of the tunic, control marks 3 and cross marks 4 on the sleeve and on the front, as well as control marks 5 on the sleeve and on the back. Sew in the sleeve from the side of the sleeve (9).

Cut the seam allowances to a width of 7 mm, sweep together and press onto the sleeve from the top to the beginning of the rounding of the armhole.
■ Coquette.
Pin the side parts of the front yoke duplicated by the gasket to the duplicated gasket of the middle part of the front yoke with the front side to the front side (control mark 6). Pin the side parts of the back yoke duplicated by the gasket to the duplicated gasket in the middle part of the back yoke with the front side to the front side (reference mark 7). Stitch.
Cut off the seam allowances to a width of 7 mm and press them onto the sides of the yokes. Put the front yoke on the back yoke with the front side to the front side, chop off the shoulder sections of the side parts of the front and back yokes (check mark 8). Stitch. Cut the seam allowances to a width of 7 mm and press them onto the back yoke. Perform the seams on the yoke that is not duplicated by the gasket in the same way. Place the yoke not duplicated by the gasket on the yoke duplicated by the gasket with the front side to the front side, aligning the seams. Chip off the neck sections. Stitch. Cut off the seam allowances close to the line, make notches in the rounding areas (10).

Unscrew the yoke. Iron the edge. Sweep open cuts of yokes.
■ Attach a yoke.
Chop off the lower corner of the front yoke with the middle line of the front (control mark 9) with the front side to the front side (the yoke duplicated by the gasket lies at the bottom), then chop the right embossed seam of the front yoke with the seam of stitching the right sleeve into the front armhole (11).

Chop off the right shoulder seam of the yoke with the transverse mark of the upper cut of the sleeve, chop off the right embossed seam of the yoke of the back from the seams of the stitching of the right sleeve into the armhole of the back and chop the lower corner of the yoke of the back with the line of the middle of the back. Firmly holding the lower threads of the gathering stitches, pull the upper sections of the right half of the front, right sleeve and right half of the back to the length of the lower edge of the right half of the yoke. Tie the threads of the stitching stitches, distribute the gathering evenly. Pin the gathered upper cuts of the tunic to the lower cut of the yoke and stitch from the line of the middle of the front to the line of the middle of the back. Notch allowances in the front and back along the line of the middle of the front / back close to the last stitches of the seam (12).

Similarly, pin the left half of the yoke to the upper cut of the left half of the tunic and stitch it. Cut seam allowances to a width of 7 mm, sweep together and press on the yoke.
ONLY FOR BLOUSE A:
■ Hem hem.
Press the hem allowance on the wrong side of the blouse, turn it in half and sew.
ONLY FOR TUNIC IN:
■ Hem hem.
Press the hem allowance at the bottom of the tunic to the wrong side. From the right side along the fold, lay a narrow zigzag stitch. On the seamy side, carefully cut the protruding allowance close to the stitches (13).

"If you open your blouse slightly,
You can shine beautifully with your breasts
And do not waste money on outfits,
And you don't need to paint your eyes. "

Hourglass Blouse

Modeling will be carried out on a pattern based on a straight silhouette.

First step. Extend the neckline and deepen on the shelf along the model.

Next, you need to complete the sleeves according to the kimono principle, see the picture. More sleeves here. The width of the sleeve is equal to the girth of the arm plus an increase in freedom. The cuff will have the same length, its width is 4.5-5 cm in finished form.

Now let's add some freedom to the pleats at the bottom of the sleeve.

BLOUSE FOR TRIANGLE TYPE FIGURE.

For the lesson, we chose a blouse from the BURBERRY brand. It has folds on the cuff of the sleeves and a yoke, from which there are gathers on the chest. And the filling of the okat, and the yoke, and the assembly, all these details visually expand the shoulders, accentuate attention. By the way, such a blouse is very suitable for a rectangle-type figure.

PATTERN OF A BLOUSE WITH COCKET

For modeling, we also need a pattern for the base of a semi-adjacent silhouette.

Back. We translate the shoulder dart into the armhole line, marking its position with a new line.

Shelf. We will temporarily transfer the bust dart to the side seam.

Let's outline the lines of the yoke. And section lines for modeling the assembly on the shelf.

Cutting along the outlined lines, we will combine the yokes of the back and shelves along the shoulder seam.

We outline the line of the edge of the bead, at a distance of 1.5 cm from the line of the middle of the front.

Move the breast dart from its temporary position to the upper edge of the shelf at the assembly location. Correct the side seams by straightening a little. Mark the loops of the clasp.

Sleeve. Translation of the elbow dart down, having previously outlined its new position with a line running from the top of the dart to the bottom of the sleeve.

Mark and cut along the sleeve width line under the armhole. From the point of the top of the ridge, set aside 3.5 cm along the ridge line of the shelf and make an incision as in the figure.

The bow collar is a long rectangle with a fold. Its width is 7 cm without processing allowances. The length is optional, but not less than 1m 30 cm, for the possibility of tying.

BLOUSE FOR RECTANGLE TYPE FIGURE.

PATTERN OF THE BLOUSE WITH V-NECK.

For modeling, consider a model of a delicate blouse made of chiffon, free cut with an original collar.

To model this model of a blouse, we will use the pattern-base of a straight silhouette. Although, if you have large breasts and you cannot do without a dart, you can also take a pattern-base of a semi-adjacent silhouette.

Let's start modeling by expanding the neckline by 2.5 cm and deepening it along the shelf by 10-12 cm. We also outline the line of the yoke.

A BLOUSE FOR A FIGURE TYPE INVERTED TRIANGLE.

Off-shoulder blouse.

For modeling, we need a semi-adjacent silhouette base pattern, which we can easily generate here using our individual measurements. We can easily transform the base pattern into a loose blouse by moving the bust dart down.

At the first stage of modeling, we will correct the length. We will transfer the shoulder dart to the armhole line, the chest down, simply by cutting along the marked line and opening its shelf visa.

Let's start modeling the sleeve. It is necessary to get rid of the elbow dart by moving it down.

Further, along the outlined line of the middle of the sleeve, we cut the sleeve pattern into two halves and connect the parts with the details of the back and the shelf. See picture.

It remains to outline the raglan line.

Next, we will correct the line of the neckline according to the sketch and the line of the model cutout on the shoulders of the blouse.

Do not forget to measure the length of the neckline, you will need this value when processing it with a bias tape.

BLOUSE ON THE APPLE FIGURE.

BLOUSE WITH ASYMMETRIC BOTTOM.

We will simulate again on a pattern-based semi-adjacent silhouette.

We transfer the bust dart to the side seam, and the shoulder dart to the armhole line.

Let's widen and deepen the neck. After that, you need to outline a cutout on the neck of the shelf. Cut the dart on the chest by 2 cm in length.

Next, we will make the modeling on a reversal pattern. Draw a bottom line on the back. The shelf is two-layer with a mirror image of the bottom line. Let's outline it. See picture.

Here's what happened.

Move the elbow dart down. Correct the elbow and anterior sections. Pata is a rectangle 30 cm long, 3-3.5 cm wide when finished.